The Sports

Stephen Cummings’ post-stroke comeback

Stephen Cummings was disembarking from a flight into Brisbane when everything went sideways. He steadied himself against the wall of the aerobridge. An anxious flyer, he assumed it was the after-effects of a Valium he’d taken to calm his nerves, and that it would wear off ahead of that night’s performance.

The veteran Australian singer-songwriter – a fixture of Australian music since the late 70s with his band the Sports, then as a revered solo artist – had two sets booked at the Junk Bar, a tiny club in inner Brisbane. While playing, he realised he was having trouble forming chords on his guitar. Indeed, he was having trouble staying upright. He completed the gig, but felt disturbed, and had a sleepless night.

Even so, it wasn’t until he returned to Melbourne and staggered out of the terminal that the seriousness of his condition was immediately apparent to his wife, Kathleen O’Brien. Cummings’s mouth was crooked, and he was struggling to walk. “I’m taking you straight to the Alfred [hospital], you’ve had a stroke,” she told him.

This was in March 2020, just as the Covid-19 pandemic was breaking out in Australia. Cummings had actually been intending to retire: he had turned 65 the previous September, and had just two more gigs booked in Melbourne.… Read more..

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Michael Gudinski 1952-2021

For more than 45 years Michael Gudinski, who died on Monday aged 68, was a dominant, domineering, polarising but above all passionate figure in Australia’s cultural landscape. He lived and breathed Australian music.

Everyone who met Gudinski had a story to tell about him, not all of which are printable. What is indisputable is that life in Australia changed in a profound way when Mushroom Records – the label he co-founded in 1972 – released Skyhooks’ first album Living In The 70’s (complete with its errant apostrophe) a couple of years later.

Living In The 70’s topped the charts for four months, selling 240,000 copies. Beyond the sales, the album changed perceptions of what Australian music could be. Many of the lyrics (by bass player and songwriter Greg Macainsh) were hyperlocal to Gudinski’s beloved Melbourne.

In many ways, the album was a reflection of Gudinski himself: brash, hyperactive, coarse (more than half its tracks were banned from airplay), unapologetic and funny. It helped that it was released just as the music television show Countdown first appeared in Australian lounge rooms, with the support of Ian “Molly” Meldrum propelling Skyhooks to stardom.

Over the next decade, Mushroom released dozens of albums that presented their own interrogations of Australian life, from the Models’ Local &/Or General (1981) to the Triffids (Born Sandy Devotional, 1986), Hunters & Collectors (Human Frailty, 1986), the Go-Betweens’ 16 Lovers Lane and the Church’s Starfish (both 1988).… Read more..

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