The Chats

The Cosmic Psychos: 40 years of drinking, fighting and roadkill

Ross Knight – bass player, singer and mainstay of Australian punk heroes the Cosmic Psychos – tells a good yarn that deftly illustrates his group’s public image.

The Psychos, who are celebrating 40 years since their humble beginnings in central Victoria as a school band originally named Rancid Spam, were unlikely guests of honour at the Australian embassy in Berlin in 2013, commemorating 60 years of friendship between Australia and Germany. The band had driven all night from Utrecht in the Netherlands, arriving in Berlin about 3am. Of course, they found a bar before rolling up to the embassy a few hours later, very much the worse for wear.

As they slid open their van’s side door, beer cans spilled out, rolling towards the assembled dignitaries like unexploded mortar shells. The band followed the cans into the light, blinking, Knight dressed in Blundstones, jeans and a Yakka shirt and their guitarist, John “Mad Macka” McKeering, in a tracksuit.

“We were standing next to generals and majors and ambassadors and goodness knows who else, going, ‘Bloody hell, how did this happen?’” Knight says, chuckling.

The Cosmic Psychos are an Australian institution. Sounding like the Ramones fronted by the Crocodile Hunter, they write songs in a distinctly local vernacular about drinking, fighting, roadkill and punching above your weight.… Read more..

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The Chats: Get Fucked

Let’s start with the title. The Chats don’t care what you think, and even less (I hope) what the Guardian thinks. This band did not give a continental about what Karl Stefanovic thought when they ran around the set of the Today Show. This is entirely as it should be for a reprobate punk band from Pig City, aka Brisbane (via the Sunshine Coast).

That said, there are some signs of growing pains on Get Fucked, the follow-up to 2020’s High Risk Behaviour. In some ways, this album is to the Chats what Leave Home was to Ramones: it’s tighter, with better playing and a tougher sound, but lacks some of the naive charm that made their debut so endearing. They have also lost guitarist Josh Price, and he takes a little of the Chats’ humour with him.

New Josh (Hardy) is a killer, though. His playing sets fire to Struck By Lightning and Panic Attack, songs that crackle with all the nervous energy of their titles. The singer and bass player, Eamon Sandwith, stretches out a bit more lyrically, too, reminding us that, at the height of the Black Summer bushfires, he gave us the Christmas in Hawaii song I Hope Scott’s House Burns Down.… Read more..

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The Wiggles’ generational crossover

Since forming in 1991, Australian children’s group the Wiggles have pretty much seen it all. They’ve created a vast discography spanning 59 studio albums alone: last year, they were the second-highest streamed Australian act on Spotify across all genres.

In their heyday, the original group performed to more than 1 million people a year. More recently, they’ve noticed something new: a generational crossover. Their fans have grown up, many have formed their own bands – and they’re still fans.

This became obvious in 2018, when Brisbane hard rock duo DZ Deathrays invited guitarist Murray Cook to guest in their video Like People. In the clip, a demonically possessed Cook emerges from a bathroom stall and appears to be taken over by his former character, Red Wiggle.

Later that year, Cook (who retired from live performances with the Wiggles in 2012, along with original Purple Wiggle Jeff Fatt) appeared with DZ Deathrays at the Splendour in the Grass festival. The audience went totally Apple And Bananas.

This set the stage for last year’s all-conquering cover of Tame Impala’s Elephant, for which Cook returned. It went on to win the country’s biggest music poll, the Triple J Hottest 100.

“I just started noticing I was getting stopped in the street a lot by 20-somethings saying ‘the Wiggles were my childhood, you guys are legends!’”… Read more..

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