The Band

Everyone’s got a “fucked-up way” of being good citizens – or so Melbourne’s Cash Savage tells us on the title track of her fourth album. Some of the things that might help us feel good about ourselves are rooted in inequalities and injustice. Like, for example, voting in a voluntary postal survey on whether or not LGBTIQ people should be able to marry.

Good Citizens was written against the backdrop of that risible survey, the trauma it caused Savage’s community, and the aftermath: that even when you might have got the result a large majority of the population wanted, amid the celebrations and self-congratulations, the scars of being asked to justify and defend your own identity and humanity remain.

That trauma though has produced her most focused, cohesive record. Gone is any vestige of the faint Americana leanings of her earlier albums. The nine songs here are all brawling rock & roll and crushing ballads. It’s got more in common with Nick Cave and the Dirty Three, in Savage’s vocals and Kat Mear’s sawing violin, than Wilco – much less the Band.

But while the basic reference points are clear, Savage has never sounded more self-assured – or more Australian. Her voice is magnificent throughout, whether she’s gently chiding her country on Better Than That (“There’s a lot of people thinking I’m up for discussion”, she notes) or tearing through the pub-punk rock of Pack Animals.… Read more..