Rowland S. Howard

Mick Harvey: Don’t Look Back

Music / / 4 minutes of reading

Mick Harvey is looking back on the showreel of his life. It’s the video for his song When We Were Beautiful And Young, where startlingly intimate images – of his parents, backyard cricket, through to lifelong partner Katy Beale and their children – are mixed with footage of old friends, collaborators, the much-missed and dearly departed. Over the top, we hear Harvey softly crooning a song marking their passage:

And the seasons offered up the extremities of hope
The circles in a spiral of those who could, and couldn’t cope
And there were some who came undone
When we were beautiful and young

For decades, Harvey – Nick Cave’s long-serving right-hand man in the Birthday Party and the Bad Seeds – was the man who kept his head when all around were losing theirs. The video remembers them all: Birthday Party bass player Tracy Pew (died 1986) and guitarist Rowland S Howard (2009); Bad Seeds alumni Conway Savage (2018) and Anita Lane (2021), producer Tony Cohen (2017), as well as more occasional collaborators Brian Hooper and Spencer P Jones (both 2018).

Harvey is now 65, with a grey but impressive head of curls. “People tell me I’m still beautiful, which is very kind of them,” he says from his home in Melbourne.… Read more..

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Mutiny in Heaven: the Birthday Party from hell

Music / / 6 minutes of reading

In 1981, at a garbage dump on the outskirts of Melbourne, a band is making a video. The idea is to recreate a vision of hell. A cartoon death’s head with six limbs flashes on the screen. We see a young and scrawny Nick Cave – “a fat little insect” – pole-dancing in the middle of a circus tent. The song is an ode to self-loathing called Nick The Stripper.

Behind him, the Birthday Party swings and stumbles. After a year in London, the band once dubbed the Boys Next Door have returned to their home town a very different and much more menacing beast, ready to cut their first full album, Prayers On Fire. The tune, if you can call it that, hangs on a ghostly three-note refrain by the guitarist Rowland S Howard.

The action moves outside the tent. Along with friends, the band has bussed in residents of a mental health facility; one of them stands atop a gallows. Cave is wearing a loincloth. There’s a disturbing scene involving a goat.

A new documentary on the band, Mutiny In Heaven, lingers over this grotesque carnival of souls for the clip’s full four minutes. The film’s director, Ian White, says it would have been a shame not to use it in its entirety.… Read more..

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Autoluminescent

Music / / 4 minutes of reading

A few days ago I bumped into an old friend in the city. He manages a well-known local band here in Brisbane, and he asked me if I’d be prepared to participate in the making of a documentary about the group. He wanted to do something a bit edgier than the standard rock doco, though. “Every documentary I’ve seen lately it’s just a bunch of people saying how great [band/performer X] was,” he said. “It’s really boring.”

He had a point, and I was reminded of it last night when I saw Autoluminescent, Lee-Maree Milburn and Richard Lowenstein’s documentary about former Birthday Party/These Immortal Souls guitarist Rowland S. Howard. The first half of this two-hour film is weighed down with luminaries (not only peers and former bandmates like Nick Cave, Mick Harvey and Phil Calvert but also Henry Rollins, Thurston Moore, Bobby Gillespie, etc, etc) generally crapping on about how great Rowland was.

And that’s validating, sure, but if you’re seeing this film in the first place you probably have some idea of who Rowland S. Howard is and why he mattered. Most likely you already think he’s fabulous. The film survives this slightly creaky beginning mainly due to the late guitarist’s outrageous charisma (with his high cheekbones and extraordinarily brilliant blue eyes, rarely has a dying man looked so beautiful) and the sumptuous direction.… Read more..

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