Marlon Williams

Paul Kelly: “Christmas music gets a bad rap”

To understand why Paul Kelly would make a Christmas album nearly 30 records deep into his career, it helps to know how he spends his own festive season. Kelly is one of eight siblings and, traditionally, the gatherings feature a large and diverse cast; “the odd stray, new and old flames, gossip, singing”, as he wrote in his memoir, How To Make Gravy, “and much discussion and planning of food”.

Branches of Kelly’s family extend through Melbourne, Brisbane and Adelaide. “We’ve all got our children and our children’s children, so if we all got together now it might be too big,” he says. Usually, there’s a get-together on Christmas Eve, where carols will be sung, before people drift back to their own camps and to in-laws for the day itself.

But this year Kelly’s eldest brother, Martin – father of nephew and bandmate Dan – won’t be there. He died on 4 December last year, aged 69, after a short illness. “We were fortunate to get up to Queensland last year just before the borders closed,” Kelly says. “It was a really close call, but we saw him two days before he died, and stayed on for the funeral, so we were very fortunate to be able to do that.”… Read more..

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Jess Ribeiro: LOVE HATE

Jess Ribeiro’s first two albums, My Little River (2012) and Kill It Yourself (2016) received a great deal of critical warmth but not a lot of exposure. The first was a dark acoustic folk-blues record with a minimum of instrumentation. Kill It Yourself, produced by former Bad Seed Mick Harvey, added strings and percussion, but still, the songs stood almost alone.

That they did is a testament to Ribeiro’s talent. But whereas those records are sepia-toned, Love Hate is an all-electric technicolour lunge towards pop, backed by guitarist Jade McInally and drummer Dave Mudie (the latter a member of Courtney Barnett’s touring band). The results are vibrant and clearly aimed at introducing the Melbourne singer-songwriter to a bigger audience.

The bright spangles of guitar that burst through the dream-pop haze of opener (and single) Stranger, indicates Ribeiro is out to get your attention. Produced by New Zealander Ben Edwards, who has worked with Aldous Harding, Marlon Williams and Julia Jacklin, Love Hate is arguably more immediately arresting than any of their records.

But that shouldn’t make it any less satisfying in the long haul. There are still hidden depths; the surface is just a little shinier. Following the natural arc of a love affair from chance meeting to attraction to dissolution, and bound together by three short “Vignette” interludes, its 12 tracks are as liable to sneak up on you as they are to jump out.… Read more..

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Marlon Williams: Make way for love

The breakup album is a standard trope of rock music. Bob Dylan set the benchmark in 1975 with Blood On The Tracks; Beck’s Sea Change (2002) is a famous more modern example. Now Marlon Williams – the 28-year-old Melbourne-based New Zealander with the golden throat – has offered his own contribution to the form with his second album, Make Way For Love.

And Williams is making no secret of the album’s source: the dissolution of his three-year relationship with another acclaimed New Zealander, Aldous Harding, in December 2016. He even coaxed her to sing on the album’s penultimate song, the duet Nobody Gets What They Want Anymore.

“I think she saw how important it was to me, more than anything, and that song, more than any other, expresses a feeling I couldn’t put into her words any other way,” Williams says. “I’m actually telling her something in that song, and she’s responding through my words in her voice, so it’s a really important song for me.”

After a long apprenticeship in his home country, Williams burst into international view with his debut solo album in 2015. He was acclaimed for his storytelling gift and stunning voice, a tremulous instrument that’s often been compared to Roy Orbison.… Read more..

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