Magic Dirt

Bleak Squad: Strange Love

Occasionally the musical universe offers unexpected gifts that we might never have thought to ask for and had no right to expect. Strange Love, the debut album by new Melbourne supergroup Bleak Squad, is one such gift. The names speak for themselves: Adalita (Magic Dirt), Mick Harvey (the Bad Seeds, the Birthday Party), Mick Turner (Dirty Three) and Marty Brown (Art of Fighting, SodaStream, Claire Bowditch), who brought the band together.

Brown’s intuition that such a combination would go well has proven inspired. Such things can easily end up sounding better on paper than in practice. Instead, Bleak Squad sound pretty much exactly as you’d expect, given their name and collective histories: the hour is late, the lights are low, the writing is sharp, the arrangements are tight – but the playing is expansive and open-ended, with songs designed to be stretched out in live performance.

This is a genuine collaboration, with significant written contributions from all four members. Vocals are shared mainly by Adalita and Harvey, with guitars by Adalita and Turner. Harvey, the best multi-instrumentalist, does a bit of everything, while Brown takes most of the drums, piano and more besides. In lesser hands, it could be a dog’s breakfast, but the sound Bleak Squad have arrived at is coherent and fully formed.… Read more..

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Spiderbait celebrate Janet English

In the near-decade since Spiderbait last released an album, their bass player and singer, Janet English, has completed a bachelor’s degree in psychology. She’s not sure if she wants to practise. “I was just really interested in how the brain works,” she says.

English is the owner of one of the most interesting brains in Australian music. At school, she excelled as a gymnast as well as at hockey, mime, theatre and art, before forming Spiderbait in 1991 with singing drummer Mark Maher (better known as Kram) and guitarist Damian Whitty (Whitt) in the Riverina town of Finley, New South Wales.

Kram was an accomplished musician but, back then, English could barely make it from one end of a song to the other. “She’s kind of an accidental hero in a way,” Kram says. “She was a painter and artist who sort of stumbled into music through her friends and then discovered that she had these incredible talents.”

Kram talks like he plays drums, at an overdriven mile a minute. English is more reticent. With Spiderbait marking their 30th anniversary last year, Kram had an idea: to celebrate English’s work in a single 33-track compilation, Sounds In The Key Of J.… Read more..

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