Liz Phair

Something To Believe In: A Playlist

I was driving alongside the Brisbane River not far from home, with a Ramones anthology playing at full volume, when it hit me. I was trying to piece myself back together after a difficult couple of years. My mother had been transferred into care with advanced Alzheimer’s disease and my marriage had broken up. Something To Believe In was the song that did it – an almost-forgotten single from the Ramones’ troubled mid-’80s era. It was about losing your grip on yourself, on life, then rediscovering your sense of purpose. I knew I wasn’t going to be the same person but, then again, I didn’t want to be.

It was March 2018. I’d written a few pieces that began to sketch out a story of a life on the margins of music but from the perspective of a fan, a wannabe, rather than a player. Over the next two months, a music memoir poured out: the first 30,000 words in three weeks. It was finished by Mother’s Day. Something To Believe In was the obvious title, music being that something that had kept me sane, kept me going and, at times, kept me alive.

What follows is a playlist of 10 songs – most sublime, at least one ridiculous – that signposted that journey.… Read more..

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Camp Cope: How To Socialise & Make Friends

In his “mongrel memoir” How To Make Gravy, Paul Kelly has a chapter on circle songs – songs that are built on a chord progression that cycles in the same order from beginning to end. The melody may vary, but there’s no bridge or change in the chorus to break the circle. Wide Open Road, by the Triffids, is a circle song; so too Kelly’s Careless. A lot of folk music, Kelly observes, is like this: “We just pick it up and pass it on.”

The Opener, by Camp Cope, is another circle song. With it, and their defiant gesture at the Falls festival – calling out the organisers in front of a jam-packed tent for their lowly placement on the bill, in keeping with the song’s theme – the Melbourne three-piece instantly stamped themselves as the Australian band of the moment and the #MeToo generation. They resonate because they are so real.

Even if not for singer and guitarist Georgia “Maq” McDonald’s pedigree (she is the daughter of the late Hugh McDonald, formerly of Australian folk-rock band Redgum), Camp Cope’s second album How To Socialise & Make Friends would sound like a baton being passed to a new generation.… Read more..

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