live music

Powderfinger: One Night Lonely

There were many poignant moments watching Powderfinger streaming their first show in a decade on Saturday night, but the biggest one was seeing bassist John Collins playing (like all the band members, in isolation) to an empty Fortitude Music Hall, one of two venues he part-owns in Brisbane. The grand 3,300-capacity room opened less than a year ago, and the empty space served as a symbol of what we have lost, what we are missing, and what was at stake.

Live music is a billion-dollar industry in Australia, yet the rooms that host it run on the smell of an oily rag and are in constant danger of being run out of town by governments and developers (Brisbane is fortunate in that both Fortitude Music Hall and The Triffid were built and are co-owned by one of those developers, Scott Hutchinson, a bona fide music tragic). Covid-19 lockdowns will drive many more venues to the wall.

So Powderfinger were back, singer Bernard Fanning told us, to put some smiles on people’s faces. The half-hour gig, watched by close to 100,000 people, aided both music industry charity Support Act and mental health organisation Beyond Blue, with Fanning in northern New South Wales, guitarist Darren Middleton in Melbourne, drummer Jon Coghill on the Sunshine Coast and Collins and lead guitarist Ian Haug in separate locations in Brisbane.… Read more..

Powderfinger: One Night Lonely Read More »

Rock in hard places

It’s Good Friday in Brisbane and most of the city is dead quiet, with pubs and clubs not opening until midnight due to Easter trading laws. In the inner suburb of West End, however, something very noisy is stirring.

On a makeshift stage in a large room, a three-piece band called Hexmere is playing a raucous, raw brand of grindcore punk to a small crowd. There’s another gig planned for the following night, with many more people expected.

These all-ages shows are being sporadically staged by the Outer Space art collective, which won the Brisbane city council’s tender to operate this 300-capacity venue for two years, rent-free. The space needs work. But it represents an experiment, a gamble and a new hope for the city’s youth culture.

The fact that the city council chose to make the space available is important. Despite a rich history, live music in Brisbane, as in so many other cities around the world, struggles to survive against the pressures of gentrification, regulation and competition.

The music industry’s inextricable links to alcohol and bars has left a dearth of venues accessible to under-18s, raising concerns about how the complex ecosystem that sustains a vibrant local music scene – comprising everything from record shops to independent labels to public radio – will reproduce itself without engaging audiences from a young age.… Read more..

Rock in hard places Read More »

Memories not enough to save Melbourne’s Festival Hall

Like millions of others, I have fond memories of live entertainment at Festival Hall. Sure, the room was lacking in atmosphere, bonhomie, charm and sound quality – almost anything, actually, that makes a great music venue – but that doesn’t stop me treasuring the experiences of seeing the Ramones in their late-career dotage and Nirvana at their absolute apex, despite Kurt Cobain being obviously ill.

So it was a sad day in Brisbane when, in 2003, the building was demolished to make way for the construction of an apartment block. We’d been through it all before too many times, most notoriously when the beloved Cloudland Ballroom was knocked down in the dead of night in 1982 by the Deen Brothers, the premier/hillbilly dictator Joh Bjelke-Petersen’s demolition firm of choice. Their slogan was “All we leave behind are the memories”.

For Melbourne, the potential loss of its Festival Hall for another proposed block of flats has nothing to do with acoustic or architectural aesthetics – unlike, for example, the historic Palace Theatre. Like Brisbane’s version, Festival Hall was designed for sporting spectacles, mainly boxing. It was the simultaneous arrival of television and rock & roll that resulted in the room throwing open its doors to live music, most famously the Beatles in 1964, as also happened in Brisbane.… Read more..

Memories not enough to save Melbourne’s Festival Hall Read More »

Scroll to Top