Jimmy Barnes

Ego: The Michael Gudinski Story

At first, all is darkness. There is a hiss of cymbals, followed by a rude bang, thump and wallop. The lights go up. We see the late Australian music mogul Michael Gudinski, sitting at a drum kit, pounding the skins arrhythmically with his hands, making a point at his default setting: maximum volume.

“Well, you can obviously see I can’t play any music,” the Mushroom Records founder bawls in that sandpaper and gravel voice, familiar and weirdly soothing. “And that’s why I’m good at the music business. Because I don’t wanna be a pop or rock star, but HELL, I LIKE WORKING WITH THEM!” He rubs his hands together, ready to deal.

If we believe the galaxy of stars lining up to pay homage in Ego: The Michael Gudinski Story – now in Australian cinemas – Gudinski was bigger than all of them. Australian artists whose careers Gudinski nurtured, including Kylie Minogue, Jimmy Barnes and Paul Kelly, are joined by international heavy-hitters Bruce Springsteen, Ed Sheeran, Billy Joel, Sting and the obligatory Dave Grohl.

They paint a picture of the ultimate music fan, tirelessly enthusiastic, driven by art ahead of commerce. But Gudinski was a ruthless businessman first. Ego tells the story of how, over a boozy lunch in 1975, five men stitched up the Melbourne music business via the formation of booking agency Premier Artists, and later the promotions juggernaut Frontier Touring.… Read more..

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Don Walker: a real cat

Every week, Don Walker buys a lottery ticket. It’s a matter of ritual. The piano-playing hurricane force behind one of the most successful Australian bands of all time, Cold Chisel – the man who gave us Khe Sanh and Flame Trees and too many more to mention – says he’s buying his continuing right to dream.

On his new solo album, Lightning In A Clear Blue Sky, there’s a song called When I Win The Lottery. What would he do? “Most of the song is about taking your winnings and running amok, basically coursing across the landscape with your hair on fire, fighting off supermodels,” he says drily, over Zoom, the familiar sweep of grey hair sitting high over his forehead.

“That’s not what I would do, because for a long time now I could probably do that anyway – the supermodels excepted. I live with a lot of freedom.”

Walker, 71, is well past retirement age. He has no need to work, and probably no need to be buying lottery tickets, either. He continues to do both out of habit. Lightning In A Clear Blue Sky is his fourth solo album, and first in a decade. Walker is also one-third of popular trio Tex, Don and Charlie (with singer Tex Perkins and guitarist Charlie Owen).… Read more..

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Troy Cassar-Daley’s reckoning

On 1 April 2019, singer and songwriter Troy Cassar-Daley was finishing up a song with Cold Chisel guitarist Ian Moss when he took a phone call. His father, who had been depressed and in poor health following a stroke, had taken his own life. The song’s chorus – “watching it all go south” – took on a too-real darker hue.

As 2019 stretched into the pandemic of 2020, Cassar-Daley entered a downward spiral. His long-standing marriage to broadcaster Laurel Edwards, with whom he has two adult children, was suffering. The son of a Bundjalung woman from Grafton in north-eastern New South Wales, he tried to escape back to country, seeking his grandmother’s counsel.

Cassar-Daley’s grandparents are long deceased, but he still talks to them. “I consult with them a lot when I’m sitting by myself on the river where I grew up, and I distinctly felt my grandmother say to me, ‘Your problems aren’t here. I think you know where the problems are; you have to go back,’” he says.

Cassar-Daley is part of the firmament of Australian country music, the winner of 37 Golden Guitar Awards, on top of numerous ARIA and Deadly gongs. On Friday, he released his 13th studio album, The World Today.… Read more..

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Michael Gudinski 1952-2021

For more than 45 years Michael Gudinski, who died on Monday aged 68, was a dominant, domineering, polarising but above all passionate figure in Australia’s cultural landscape. He lived and breathed Australian music.

Everyone who met Gudinski had a story to tell about him, not all of which are printable. What is indisputable is that life in Australia changed in a profound way when Mushroom Records – the label he co-founded in 1972 – released Skyhooks’ first album Living In The 70’s (complete with its errant apostrophe) a couple of years later.

Living In The 70’s topped the charts for four months, selling 240,000 copies. Beyond the sales, the album changed perceptions of what Australian music could be. Many of the lyrics (by bass player and songwriter Greg Macainsh) were hyperlocal to Gudinski’s beloved Melbourne.

In many ways, the album was a reflection of Gudinski himself: brash, hyperactive, coarse (more than half its tracks were banned from airplay), unapologetic and funny. It helped that it was released just as the music television show Countdown first appeared in Australian lounge rooms, with the support of Ian “Molly” Meldrum propelling Skyhooks to stardom.

Over the next decade, Mushroom released dozens of albums that presented their own interrogations of Australian life, from the Models’ Local &/Or General (1981) to the Triffids (Born Sandy Devotional, 1986), Hunters & Collectors (Human Frailty, 1986), the Go-Betweens’ 16 Lovers Lane and the Church’s Starfish (both 1988).… Read more..

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Guardian Book Club: Jimmy Barnes

When singer Jimmy Barnes’ memoir Working Class Boy was released in 2016, it caused a sensation. Barnes’ account of his childhood went beyond the usual adjectives like “raw” and “harrowing” on the cover to something much more purgative: here was one celebrity memoir that hadn’t been written for the sake of a generous advance. Barnes had wrestled the demons of a traumatic childhood in private for decades. Now he was doing it in full view.

The other thing that made Working Class Boy so shocking, frankly, was that Barnes had written it himself. Wasn’t piano player Don Walker the literary genius behind Cold Chisel, with “Barnesy” the red-faced screamer out front? Barnes further upended expectations by gambling on the story of his pre-fame years first, but his way of telling it was riveting. His voice was urgent, empathetic, as wry as it was moving, with a gut-wrenching turn of phrase.

Inevitably, the sequel Working Class Man followed. This was the proverbial sex, drugs and rock & roll memoir that perhaps was originally craved, and certainly expected – but it was far more compelling for us knowing where Barnes had come from. Jimmy Barnes – the rock star, and sometimes the caricature – had been a fixture of Australian life for so long that we had underestimated him.… Read more..

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Jimmy Barnes: bio for My Criminal Record

After two best-selling, incredibly personal memoirs, Working Class Boy (2016) and Working Class Man (2017), you might think you know all there is to be known about James Dixon (Jimmy) Barnes.

You’d be wrong.

Barnes, by his own estimation, is still revealing himself. “There’s a lot of stuff I don’t know about me yet,” he says.

On 31 May, Jimmy Barnes will release his seventeenth solo studio album, My Criminal Record – his first rock album since 2010’s Rage and Ruin. It was recorded with his live band: Daniel Wayne Spencer and Davey Lane on guitars, son-in-law Benjamin Rodgers on bass, Clayton Doley on keyboards, with son Jackie Barnes and Warren Trout on drums and percussion.

It was written by Jimmy, with significant assistance from his oldest sparring partner, Cold Chisel’s Don Walker, whose name appears on six of the thirteen tracks. Outstanding contributions also come from close friends Troy Cassar-Daley, Mark Lizotte (aka Diesel) and the Living End’s Chris Cheney, as well as Rodgers, Harley Webster and Jade MacRae.

The earliest of these songs were written at the same time as Jimmy was in the process of writing his two memoirs – both of which won the prestigious Australian Book Industry Award – and the rest in the aftermath, as he sorted through the wreckage and triumphs of an uncontained life that sometimes spun out of control.… Read more..

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