Jeremy Oxley

Sunnyboys say goodbye, with love

In an era where every Australian band who found an audience in the 1980s has reformed, the reunion of Sunnyboys will go down in history as one of the least expected, and most warmly received. The beloved Sydney power-pop quartet peaked early, releasing a classic debut album in 1981 before flaming out like a comet, derailed by overwork and lead singer Jeremy Oxley’s long struggle with schizophrenia.

After a reunion in 1998, no one expected the original quartet – singer, guitarist and songwriter Jeremy, his bass-playing older brother Peter, guitarist Richard Burgman and drummer Bil Bilson – to ever play again. That they did, Burgman insists, was a miracle: “There were about 150 to 250 things that had to go right. And if any one of those hadn’t, or if anyone along the way had said no, it wouldn’t have happened.”

It all went right in 2012, when the band reunited to play a show at Sydney’s Enmore theatre with the Hoodoo Gurus, performing under the name Kids in Dust to defuse expectations. Since then, they’ve seen their slim catalogue reissued, released multiple compilations, played a sold-out show at the Sydney Opera House Concert Hall and many more sold-out tours – the very last of which begins next week, on the Gold Coast.… Read more..

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Sunnyboys: The Complete Albert Sessions/New Kicks

The recent re-emergence of the Sunnyboys on stages around the country has been a genuine feel-good story. Between roughly 1980 and 1984, the band – singer and guitarist Jeremy Oxley, his brother Peter on bass, Bil Bilson on drums and second guitarist Richard Burgmann – were a flaming meteor across the Australian music landscape, adored by fans and critics alike. And then, like a meteor, they just fizzled out: the band’s momentum cruelled by changing fashions and Jeremy’s descent into a long battle with schizophrenia.

It’s a story well told in a recent documentary, The Sunnyboy, that has brought new attention to this great Australian band’s legacy. An earlier compilation, This Is Real, and the band’s tentative return to live performance via the Hoodoo Gurus-curated Dig It Up festival has cleared the path for a serious re-evaluation of their small but vital catalogue of recordings, and it starts here, with the classic self-titled debut from 1981 spread over two discs and stacked with more bonus material than any fan could dream of.

The Sunnyboys’ brilliance lay in a combination of sensitivity and toughness that distinguished them from both their predecessors (after raw beginnings in northern New South Wales, they emerged fully-formed from the late ’70s Sydney punk scene left behind by Radio Birdman) and those that followed, such as the Gurus.… Read more..

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The Great Australian Songbook IV (20-11)

Now it starts to get hard! This is where I start to become ultra-conscious of who and what’s getting left out. The songs get harder to put in any kind of order. And I haven’t made it any easier for myself – I found I’d written Nick Cave’s The Mercy Seat down twice in my initial list of 40 (hmm – should that make it higher?), meaning I now have to find an entirely new song that’s magically going to vault straight into my top 20! Choices, choices…

20. BILLY THORPE & THE AZTECS – Most People I Know Think That I’m Crazy (1972)

This wasn’t the song, by the way. I always had this one in here. (I won’t cheapen which one it actually is by revealing it.) But, in short: what a wonderful chord progression this is, and what a great lyric, that anyone who’s ever got shitfaced in a bar with their friends should be able to relate to. Don’t we all, deep down, feel a little crazy as we try to navigate our way through a world we never asked to be born into? To be honest, I struggle to understand the fuss about much of Thorpie’s catalogue, but props to him for this brilliant common touch.… Read more..

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