Iggy Pop

Henry Rollins: “I seek not to squander”

Henry Rollins likes to talk. Actually, saying Rollins likes to talk is a bit like saying an anteater enjoys ants, or a boxer doesn’t mind getting into a punch-on. On top of countless books and a column in the LA Weekly, his spoken-word performances can run upwards of three hours. On average, he says, he writes about 1000 words a day, a habit he describes as “awful, it’s just ridiculous”.

So it seems odd that a man with as much to say as Rollins could ever run out of lyrics, but it happened. “It was trippy,” he says. “I woke up going, ‘Wow. Am I done? And I soberly assessed it and went ‘Damn. I’m done.’ And I stopped.” He phoned his manager to inform him and hasn’t written a song since. That was more than 10 years ago now.

He has no interest in playing the old songs either; not those by the Rollins Band or Black Flag, the pioneering West Coast hardcore punk/metal band he fronted in the early 1980s. “It must be nice to be able to go out and play Satisfaction and Brown Sugar and all of that every night and have girls lift their T-shirts up and have everyone roar with approval but that’s not how I’m going to live my life,” he says.… Read more..

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Molly: the mini-series

How to sum up the life and times of Ian “Molly” Meldrum? If you think four hours is an extraordinary chunk of airtime to devote to a television biopic on the cat in the hat, you probably didn’t grow up in the 1970s and ’80s. If you did, you almost certainly grew up on Countdown, the weekly music program that, over 13 years and 563 episodes, made Molly the unlikeliest of entertainment icons.

Molly, which premiered on Channel Seven last night in the first of a two-part mini-series, tells his story ingeniously and, perhaps, with a touch of sly irony: via a series of flashbacks, following Meldrum’s terrible accident at home in 2011, which left him with severe injuries. (At the time of the show’s airing, Meldrum is recovering after a second fall in Thailand).

It allows for an unashamedly nostalgic, but also unexpectedly affecting look back at an era that was both more innocent and less straight-laced. As a gormless young suburban boy, I mostly took even Countdown’s most anarchic moments at face value. Even so, I’m pretty sure it wasn’t just the infamous 100th episode when its host – not to mention its guest stars – turned up on set considerably the worse for wear.… Read more..

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Look away: musings on Jimmy Savile

Sable Starr was punk’s Lolita. She was barely a teenager when she began attending shows in the early 1970s, quickly making her reputation as one of the leading groupies on Sunset Boulevarde. “Every rock star who came to Los Angeles wanted to meet her,” model Bebe Buell remembers. That was rather too polite: pleasantries weren’t all that were exchanged between Starr and Mick Jagger, Rod Stewart, Robert Plant, Marc Bolan, David Bowie and scores of others. Iggy Pop confesses baldly in the opening line of his song Look Away: “I slept with Sable when she was 13.”

Starr’s best friend at the time was Lori Maddox, another veteran of Rodney Bingenheimer’s English Disco, the notorious Sunset Strip club where strict ID checks at the door ensured the girls were under 18. After losing her virginity at 13 – to, legend has it, David and then-wife Angie Bowie – Maddox was a precocious 14-year-old when Jimmy Page left his LA girlfriend Pamela Des Barres, author of the classic self-proclaimed groupie memoir I’m With The Band, to be with her.

Page dated Maddox for about a year before leaving her in turn for Buell, who was at the time dating Todd Rundgren (as well as Iggy Pop).… Read more..

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Tour de farce

Richard “Evil Dick” Hunt is doing a handstand. We’re in a plush dressing room at a venue called Le Cargo – it’s so cushy that it even has the band’s name on the door, an unheard-of event – and Hunt, by way of limbering up, is hoisting his small frame over a large, comfy, suspiciously new-smelling corner couch.

I watch warily as Hunt, who’s already flying on a combination of cough syrup, cognac (to protect his shredded voice) and beer, inverts himself aloft. This may not end well. Facing away from the wall, he gets himself balanced precariously on his head. Then, unsteadily, he begins to stretch out his little legs.

Le Cargo is a major performing arts complex in Caen, a couple of hours’ drive north-west of Paris. HITS – a full-tilt, five-piece rock & roll band from Brisbane, Australia – have taken all before them on their first European tour. It’s the second-last gig of a four-week adventure that’s seen the band play 20 shows in less than a month.

Every Friday night at Le Cargo, the local government subsidises free concerts for up-and-coming groups in a room that would comfortably fit 450 punters. Everything is arranged to make young bands look and feel like stars: there’s a high stage, drum riser, light show, and the sound is excellent.… Read more..

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The beginning of a breakdown: Lyon

“Welcome to the big, fat south of France,” says Andy.

Actually, we’re not fully in the south yet. We’re in Lyon, which is more in the central east, really. But it’s sunny, it’s very warm, and after a day and a half’s driving, the cold and wet of Brittany feels another world away. The road had taken us away from the major highway, through winding hills and small Terracotta-topped villages. Then we’d spent a good hour poking our way through the city’s outskirts to its mad, pulsating centre.

There’s less than half a million people here, but it feels like more. Maybe that’s because I’m still driving the Big Black Car. The streets in the city are narrow, the roads are chaotic, and parking is slightly … desperate. We want to check out Dangerhouse, a famous record emporium near the city centre, but it’s impossible to find a space for the van anywhere, so in the end we just head for the venue. It feels hot and crowded and stressful.

Actually, it’s not that bad, just a bit of a taster for what’s to come in the real south – in Marseilles. And the stress falls away pretty quickly once we’re on the boat.… Read more..

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