In Terry Southern’s classic short story You’re Too Hip, Baby, a white hipster hangs around the jazz clubs in Paris in the 1950s, desperately trying to ingratiate himself with the Black musicians. They quickly see through the schmuck, blowing him off with the snappy comeback. It’s an unlikely premise for a song. But in 1993, […]
Dave Graney & Clare Moore: still hip Read More »
I am sitting on the edge of a crowd of several thousand people gathered at Riverstage in Brisbane, and suddenly I’m feeling very nervous. I am about to be part of the latest (and, so far, biggest ever) live rendition of Pub Choir, and the legendary Barry Gibb, the sole survivor of the Bee Gees – who
Beer, bass notes and the Bee Gees Read More »
For more than 45 years Michael Gudinski, who died on Monday aged 68, was a dominant, domineering, polarising but above all passionate figure in Australia’s cultural landscape. He lived and breathed Australian music. Everyone who met Gudinski had a story to tell about him, not all of which are printable. What is indisputable is that life
Michael Gudinski 1952-2021 Read More »
Back at the beginning of the 1990s, two mixed-gender Australian bands looked set to have long and successful careers ahead of them. Falling Joys and the Clouds shared many things: most often stages, including at festivals, but also management and female singer-songwriters – two, in Clouds’ case – with unique voices and visions. Both peaked
The Clouds/Falling Joys, The Triffid 5 February 2018 Read More »
Now it starts to get hard! This is where I start to become ultra-conscious of who and what’s getting left out. The songs get harder to put in any kind of order. And I haven’t made it any easier for myself – I found I’d written Nick Cave’s The Mercy Seat down twice in my
The Great Australian Songbook IV (20-11) Read More »