Sir George Telek is not an easy man to get hold of. For a start, the celebrated Papua New Guinean singer lives in a remote village outside Kokopo, on the island of New Britain. It’s on the eastern edge of the Bismarck Archipelago, near Rabaul. Phone lines are often down. I can’t call him; repeated […]
Not Drowning, Waving: Sing Sing Read More »
For some artists, a hit single can be a monkey on their back – especially if it’s a cover of another artist’s song. This is not the case for Christine Anu, who will almost certainly always be best known for her version of My Island Home, the 1987 Warumpi Band classic originally written for the group’s
Christine Anu: Tying threads together Read More »
Kev Carmody’s debut album, Pillars Of Society, recorded as a conceptual excoriation of the Australian bicentenary in 1988, is now 30 years old. On release, it was described by critic Bruce Elder as “the best album ever released by an Aboriginal musician and arguably the best protest album ever made in Australia”. There have been
Kev Carmody: Pillars Of Society at 30 Read More »
In a world where the natural environment is under siege, it takes a shift in mindset to find comfort in the despoiled surroundings of our urban cityscapes. David Bridie, leader of enduring Melbourne chamber-pop group My Friend the Chocolate Cake, points out that often the most spectacular sunsets occur in polluted cities. He speaks of
Smart collaboration bears “ego fruit” Read More »
Widely regarded as one of the finest Australian albums ever made, the Triffids’ second album Born Sandy Devotional turns 30 this month. Most famous for its beloved single Wide Open Road, the album uses the empty desolation of the Australian landscape, and particularly the band’s native Western Australia as a metaphor for loss and loneliness. To gauge
“An absolute masterpiece”: the Triffids’ Born Sandy Devotional Read More »
As the Australian music community absorbs the news of the passing of David Bowie at the age of 69 yesterday, musicians and songwriters – especially those who came of age in the 1970s and early ’80s, when the songwriter was at his peak – have spoken of his profound influence on both their work and
“He was like a god”: Australian musicians mourn David Bowie Read More »