Christine Anu

Christine Anu: Tying threads together

For some artists, a hit single can be a monkey on their back – especially if it’s a cover of another artist’s song. This is not the case for Christine Anu, who will almost certainly always be best known for her version of My Island Home, the 1987 Warumpi Band classic originally written for the group’s late singer George Rrurrambu Burarrawanga, a Yolŋu man from Elcho Island.

The resonance isn’t lost on Anu, a Torres Strait Islander by descent. “What a privilege and honour it was,” she says. “This song was loved very much and very deeply by a whole audience before it even became a song that I knew about.”

Anu’s version, re-titled as Island Home and released in 1994, made her a star, propelling her 1995 debut album Stylin’ Up to platinum status in Australia. The album’s effervescent fusion of pop, R&B and traditional songs earned her an ARIA award. “She had that Neneh Cherry kind of brashness and confidence,” says its producer, David Bridie.

But it has taken the best part of another 30 years for Anu to make an album that fully reflects her heritage and status: her mother is from Saibai, just south of Papua New Guinea; her late father is from Mabuiag in central Torres Strait.…

Christine Anu: Tying threads together Read More »

Final: The Great Australian Songbook V (10-1)

Count-dow-wn! It’s time for the top 10!

10. PAUL KELLY/KEV CARMODY – From Little Things Big Things Grow (1991, 1993)

The ultimate compromise choice on this list. Both Kelly and Carmody should feature individually in any compilation of great Australian songs, but which ones? In the end, I’ve gone for this co-write, initially recorded by Kelly for his 1991 album Comedy, then by Carmody (featuring Kelly) in 1993 for Bloodlines, with a single released the same year. It’s the story of the birth of the land rights movement in Australia, a campfire folk tune that a young Bob Dylan would have been proud of, and at least the equal of anything in either songwriter’s canon. Despite its 11 verses, it’s a story that tells itself; a masterclass in protest songwriting that wears its moral lightly.

9. FLAME TREES – Cold Chisel (1984)

Khe Sanh may be their signature tune, but this for me is the better one; a piece of heartland rock to rival anything by Bruce Springsteen: a small town, you and your mates, a boozy night of nostalgia, and a girl you can’t forget. Don Walker peels off line after line of unforgettable imagery here, and that middle-eight – “Do you remember, nothing stopped us on the field in our day” – never fails to stop me in my tracks.…

Final: The Great Australian Songbook V (10-1) Read More »

Scroll to Top