You’ve played many prestigious venues in your career. How do you feel about gracing the Sydney Opera House stage? It’s on a lot of people’s bucket list, so I’m very excited. I’ve been doing this show [Don’t Tell Anybody The Secrets, based on Williams’ memoir] at different venues. When I play, I always tell a […]
Lucinda Williams: 10 chaotic questions Read More »
At first, all is darkness. There is a hiss of cymbals, followed by a rude bang, thump and wallop. The lights go up. We see the late Australian music mogul Michael Gudinski, sitting at a drum kit, pounding the skins arrhythmically with his hands, making a point at his default setting: maximum volume. “Well, you can
Ego: The Michael Gudinski Story Read More »
For more than 45 years Michael Gudinski, who died on Monday aged 68, was a dominant, domineering, polarising but above all passionate figure in Australia’s cultural landscape. He lived and breathed Australian music. Everyone who met Gudinski had a story to tell about him, not all of which are printable. What is indisputable is that life
Michael Gudinski 1952-2021 Read More »
After two best-selling, incredibly personal memoirs, Working Class Boy (2016) and Working Class Man (2017), you might think you know all there is to be known about James Dixon (Jimmy) Barnes. You’d be wrong. Barnes, by his own estimation, is still revealing himself. “There’s a lot of stuff I don’t know about me yet,” he
Jimmy Barnes: bio for My Criminal Record Read More »
Between his work as a guitarist and songwriter with the Easybeats and as a producer (along with fellow Easybeat Harry Vanda) for AC/DC, there is a very strong case to be made that George Young was the original sonic architect of Australian rock & roll. Other than Vanda – and with no disrespect to anyone
George Young: the original architect of Oz Rock Read More »
When future Bruce Springsteen manager Jon Landau wrote his instantly infamous review of the man he saw as “rock & roll future” in 1974, the more personal, vulnerable elements of his enthusiasm were drowned out by his own hyperbole. Landau caught The Boss at a time when he needed to be reminded of why he
Cash Savage and the Last Drinks: The Zoo, 19 May 2017 Read More »