Picture the scene. It’s 1982 and Australia’s future prime minister Bob Hawke – then the shadow minister for industrial relations – has accepted an invitation to launch a mini-album by an emerging Indigenous rock-reggae band called No Fixed Address. Hawke’s daughters are fans, and he recognises the importance of both the release and the symbolic […]
The pioneering legacy of No Fixed Address Read More »
In 1999, Nina Simone gave her final performance in London. It was at the Meltdown Festival, which that year was curated by Nick Cave. In an introduction to a new book by his bandmate and collaborator Warren Ellis, Nina Simone’s Gum, Cave recalls being summoned backstage by the legendary singer, who demanded he introduce her as follows:
Nina Simone’s Gum: Warren Ellis (in conversation) Read More »
On the face of it, bringing Trent Dalton’s 471-page debut novel Boy Swallows Universe to the stage sounds impossible. The Brisbane-based author summarises his initial response to playwright Tim McGarry – who approached him with a proposal to adapt his massive manuscript before the book had even been published – as “good luck to you, mate”.
Bringing Boy Swallows Universe to the stage Read More »
All Harry Saddler really wanted to do was to see a quoll in the wild. It was November 2019, and the Melbourne-based author was enjoying a surprise publishing success: his small book, The Eastern Curlew, a telling of the extraordinary migration of Australia’s largest shorebird, had sold through its hardcover print run, opening a new
Questions Raised by Quolls Read More »
When singer Jimmy Barnes’ memoir Working Class Boy was released in 2016, it caused a sensation. Barnes’ account of his childhood went beyond the usual adjectives like “raw” and “harrowing” on the cover to something much more purgative: here was one celebrity memoir that hadn’t been written for the sake of a generous advance. Barnes had
Guardian Book Club: Jimmy Barnes Read More »
If you grew up in Brisbane in the 1970s and 1980s, Praise, the debut novel by Andrew McGahan, was to the city’s literature what the Saints’ (I’m) Stranded was to music. Appearing in 1992, when it won the Vogel award for best unpublished manuscript, it captured the town’s torpor and the ambivalence of its inhabitants better than
Andrew McGahan 1966-2019 Read More »