Welcome to Notes From Pig City. This is my online archive for as much of my journalism as I can keep up with. Published pieces will be reposted here as soon as they can be. I also write exclusively on my Patreon page; those pieces are not republished here.

I’m the author of two books: Pig City (2004), a book about Brisbane, and Something To Believe In (2019), a music memoir. I'm currently employed by AAP. I continue to freelance occasionally for other publications, mostly Guardian Australia, where it doesn't conflict with my full-time gig.

I have a wide variety of interests, and they’re reflected by the number of tabs in the main menu. You can click through those, or the archive list at the bottom to find what you might be interested in, whether you’re a casual visitor or looking for something specific.

If you want to get in touch send me a message here.

TISM: Death to Art

How do you review a band who, 20 years ago, purported to end their career with a song called TISM Are Shit? As pre-emptive strikes go, it brooks no critical retort. Now – in a song called Old Skool TISM – the artistes formerly known as This is Serious Mum would have us believe that […]

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Emily Wurramara: Nothing to Everything

Emily Wurramara had the world at her feet. The Indigenous singer-songwriter, then based in Brisbane, had recently released her debut album Milyakburra, named after her community on Bickerton Island in the Northern Territory. It had been received with warm reviews and escalating interest. Then, one night in 2019, her life came crashing down around her.

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Fanning/Dempsey: The Drought and the Deluge

Let’s say you were a fan of Powderfinger and/or Something for Kate, two of the most successful groups from the post-grunge 1990s Australian music scene. What would you expect an album made by their respective frontmen, Bernard Fanning and Paul Dempsey, to sound like? Acoustic ballads? Mid-paced, fire-up-the-lighters arena-rock anthems? Well, it’s happened. And Fanning Dempsey

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Martin Phillipps 1963-2024

It is one of the great opening lines, by anyone: “Each evening the sun sets in five billion places, seen by 10 billion eyes, set in five billion faces.” The words are from Heavenly Pop Hit by the Chills, a band from Dunedin, New Zealand. There’s a good chance you know it, but there’s also

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