Welcome to Notes From Pig City. This is my online archive for as much of my journalism as I can keep up with. Published pieces will be reposted here as soon as they can be. I also write exclusively on my Patreon page; those pieces are not republished here.

I’m the author of two books: Pig City (2004), a book about Brisbane, and Something To Believe In (2019), a music memoir. I'm currently employed by AAP. I continue to freelance occasionally for other publications, mostly Guardian Australia, where it doesn't conflict with my full-time gig.

I have a wide variety of interests, and they’re reflected by the number of tabs in the main menu. You can click through those, or the archive list at the bottom to find what you might be interested in, whether you’re a casual visitor or looking for something specific.

If you want to get in touch send me a message here.

Songs of Disappearance

An album consisting entirely of birdsong has debuted towards the top of Australia’s ARIA chart, beating Mariah Carey, Michael Buble and Abba to get to No. 5 one week after its release. Songs Of Disappearance, a collaboration between multimedia duo Bowerbird Collective and David Stewart, who has been recording the sounds of Australian birds for over four […]

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The people’s band

Neil Murray had been labouring in the Indigenous community of Papunya – a bone-jarring four-hour ride north-west of Alice Springs – for about a week when he met Sammy Butcher in 1980. “He must have heard that I had a guitar, and he came around to have a look,” Murray says. “I showed him the guitar,

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Courtney Barnett: Taking her time

At the beginning of 2020, while her home country burned and the rest of the world was waking up to a global pandemic, Courtney Barnett was in Los Angeles. She’d just completed an American tour; her plan was to find herself an apartment and stick around a little longer to work on songs. Then – after

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Even: Reverse Light Years

It is a truism of popular music’s album-oriented era that great double albums are rare. In Australian indie rock – at least since the waning of the compact disc’s market dominance and vinyl’s revival among collectors – they have become close to non-existent. So Ashley Naylor, leader of Melbourne stalwarts Even and a rock &

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Nina Simone’s Gum: Warren Ellis (in conversation)

In 1999, Nina Simone gave her final performance in London. It was at the Meltdown Festival, which that year was curated by Nick Cave. In an introduction to a new book by his bandmate and collaborator Warren Ellis, Nina Simone’s Gum, Cave recalls being summoned backstage by the legendary singer, who demanded he introduce her as follows:

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