Music

Emma Swift: Blonde On The Tracks

Perhaps it’s easy to forget, nearly 60 years into his career, that the songs of Bob Dylan were made famous by other artists with sweeter, more radio-friendly voices than the one David Bowie later described as a mix of sand and glue. Between 1963 and 1965, Joan Baez, the Byrds, Peter, Paul and Mary and many others […]

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Powderfinger: One Night Lonely

There were many poignant moments watching Powderfinger streaming their first show in a decade on Saturday night, but the biggest one was seeing bassist John Collins playing (like all the band members, in isolation) to an empty Fortitude Music Hall, one of two venues he part-owns in Brisbane. The grand 3,300-capacity room opened less than a

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Champagne (music) television

Last year’s debut of The Set on ABC television – a house party style music variety show, with the tagline “live music has a new home” – was an attempt to plug a gaping hole in the national broadcaster’s programming: for a long time, live music had indeed lacked a home on our television screens. The gap

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Beck and forth

BECK looks toasted. Under round vintage sunglasses and a broad-brimmed black hat, the cheeks of one of the most inventive, elusive artists of the last quarter-century are sunburnt. Los Angeles is on fire. The resulting chaos has resulted in him running an hour late to the Capitol Records tower, the circular icon that sits off

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Archie Roach: Tell Me Why

For the Gunditjmara people of south-west Victoria, the Kneeangar – what white Australians call the Wedge-tailed Eagle – is the creator of the landscape. For the Bundjalung of north-east New South Wales, it is the Gunggayay, or red-bellied black snake. On the spine of Archie Roach’s memoir, Tell Me Why, the Gunggayay encircles the Kneeangar, a logo that encapsulates the Indigenous

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