Environment

Paul Kelly’s avian epiphany

Songwriter Paul Kelly spent most of his life “not noticing birds very much at all”. Then suddenly he opened his eyes and they were everywhere. To some extent, the songwriter’s eyes were opened for him. One influence was his partner of the past four years, Siân Darling.

Another connection was friend Sean Dooley, editor of BirdLife Australia’s quarterly magazine and author of The Big Twitch. Kelly met Dooley kicking a footy around St Kilda with a bunch of other locals. (Dooley remembers Kelly’s prowess: “He’s very skilled – runs low to the ground, deceptively quick, and from memory a raking low, left-foot kick.”)

Then Anna Goldsworthy, from the Seraphim Trio, contacted Kelly suggesting they team up with classical composer James Ledger. Kelly had worked with Ledger on an earlier collaboration, Conversations With Ghosts, and the latest idea was to set poems about animals to music.

Kelly liked the idea and wanted to work with both the Seraphim Trio and Ledger (with the addition of multi-instrumentalist Alice Keath) but thought the subject too broad. Narrowing it down to the avian world, he began poring through hundreds of poems.

The end result is Thirteen Ways To Look At Birds, which adapts works by Emily Dickinson (“Hope” is The Thing With Feathers), Judith Wright (Thornbills; Black Cockatoos), Thomas Hardy, W B Yeats and others for musical performance.

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The great broken promise of the Great Barrier Reef

Tourist cities are built on a promise. When you step off the plane into the soupy air of Cairns in Far North Queensland, you cross the tarmac into a long corridor leading to the exit lounge, filled wall-to-wall with images of World Heritage-listed tropical rainforest and, especially, of the state’s crowning glory: The Great Barrier Reef.

They are stills of the postcards and documentaries of our childhoods. A blooming underwater botanic garden, except that the corals are animals, living in hopelessly co-dependent relationships with each other. And everything living there depends on them too: the giant eels lurking in crevices; the anemone fish, now forever known in our imaginations as Nemo.

But what if the promise was broken?

In 2016 and 2017, the northern and central sections of the 2300km-long reef were devastated by coral bleaching caused by heat stress. Nearly a third (30 percent) of the coral died in the 2016 event alone. A confronting new report released by the Climate Council last Thursday claimed that by 2034, the reef could be hit by similar bleaching events every two years.

Around 75 percent of that mortality occurred in the waters from Port Douglas to Torres Strait. Owing to its remoteness, this was previously the most pristine section of the marine park, the least affected by other threats to its health: mainly soil run-off from agricultural communities further south.… Read more..

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How did the Great Barrier Reef Foundation “win lotto”?

It was a classic piece of public relations. A week before the budget, the federal government announced it was committing half a billion dollars to the ailing Great Barrier Reef, with the immediate aims of enhancing water quality, culling outbreaks of invasive crown-of-thorns starfish and boosting scientific research funds that might aid the reef’s “resilience”.

There was no mention of climate change. That should not be surprising. The Turnbull government remains at war with itself over climate and energy policy, with many of its own members openly derisive of climate science and questioning Australia’s commitment to the Paris Agreement to keep rises in global average temperatures to below 2 degrees Celsius.

That cohort predictably includes former prime minister Tony Abbott and his backers.

Publicly, the government is still supportive of Adani’s Carmichael coal mine, and remains roiled over the future of AGL’s Liddell power station, with pro-coal MPs urging Malcolm Turnbull to change competition laws to force the company to sell the station.

Turnbull and his environment minister, Josh Frydenberg, are walking a tightrope: trying not to poke the bear on the party’s right flank by reassuring regional Queensland of its continuing support of coal, while confronting the dire state of the reef and the many more jobs, and seats, which may be in peril on the basis of current trends.… Read more..

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Birds find me in my happy place

On Saturday morning I boarded a fishing boat on Queensland’s Sunshine Coast and, along with 15 or so others, chugged more than 40 nautical miles out to sea, where the Australian continental shelf drops off into deep water. But we weren’t out there for the fish: everyone was carrying binoculars and camera gear. We were looking for pelagic seabirds – shearwaters and petrels that spend most of their lives on the wing.

Conditions had been perfect all week, with south-easterly breezes to help push the birds closer inshore. “We’ll see a Cook’s Petrel today,” I predicted, feeling cocky. Not that I had good reason to be: only one Cook’s Petrel has ever been officially recorded in Queensland waters. It’s a small, graceful grey and white seabird with a black eye patch that breeds in New Zealand. The boat stopped and a trail of foul-smelling berley was throw into the water.

Twenty minutes later, to everyone’s delight, a Cook’s Petrel came bounding in over the waves, investigating our berley trail without pausing as camera shutters whirred with excitement. Within a minute, the bird was gone. It turned out to be one of the few highlights of an otherwise surprisingly quiet day, but I live for moments like this.… Read more..

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Mixed environmental messages in Queensland

On Friday, 3 November, Queensland Premier Annastacia Palaszczuk dropped what sounded like a bombshell. Palaszczuk, at the tail of the first week of a desperate re-election campaign, said she would veto a $1 billion loan to Adani from the federal government’s Northern Australia Infrastructure Facility (NAIF) after it emerged that her partner, Shaun Drabsch, had assisted the Indian conglomerate’s application for the loan in his role as a director for PwC.

Palaszczuk said she was acting to remove any perception of conflict of interest over the loan, intended to fund the construction of a rail line from Adani’s proposed Carmichael coal mine to its terminal at Abbot Point, north of Bowen. The response was immediate. The next day’s Courier-Mail went with a screaming headline: “Mine shaft”. Queensland’s only statewide newspaper claimed thousands of jobs were at risk.

It’s a well-worn trope. The newspaper has long followed the Adani line that as many as 10,000 jobs would be created by the mine, despite the group’s expert witness, Jerome Fahrer, admitting in court in 2015 that the number was fewer than 1500. Buried at the bottom of the copy was an admission: under the caretaker convention, Palaszczuk needed the support of opposition leader Tim Nicholls to veto the loan.… Read more..

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The Australian Bird Guide takes flight

IT STARTED nearly a decade ago. John Manger, a British expatriate and who had spent 20 years at Oxford University Press, had joined the publishing division in the CSIRO, becoming director in late 2005. He was also an avowed bird nerd who’d worked on many large ornithological titles. There were five Australian field guides already on the market but for Manger, that wasn’t enough. He decided to do something about it.

Manger contacted Jeff Davies, one of Australia’s pre-eminent bird illustrators – and it’s probably fair to say that at that point, the birding community held its breath. Davies was a notorious perfectionist, not known for doing anything by halves.

Next Monday, the community will finally exhale, with the publication of The Australian Bird Guide. “From the moment I started, people who knew what I’m like started saying, when are you going to finish?” Davies says in his studio in Heidelberg. “It actually annoyed me a little bit, but I’d always reply with a smile, and my answer was always, as long as it takes.”

Not that Davies was working alone. Authors Danny Rogers and Peter Menkhorst were brought in, then Rohan Clarke; Davies recommended Peter Marsack and Kim Franklin as co-illustrators.… Read more..

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