AFL

AFL Grand Final 2020: Dustin Martin

It was the 17th minute of the last quarter, with Geelong’s Sam Simpson sprawled out on the turf and awaiting a stretcher, when the chant started from the Richmond cheer squad on the eastern side of the ground. It was reminiscent of the crowds that roared Dennis Lillee in to bowl to terrified Englishmen in the 1970s. But this chant was for a footballer.

“DUS-TY, DUS-TY” they roared.

Their champion had just kicked his third goal, hacked from half-forward into open space, arcing low through the air, then along the ground, on the basis of seemingly nothing but total belief and a refusal to countenance the possibility of defeat. In this grand final, Dustin Martin – and Richmond – had faced it, looked it dead in the eye, and stared it down.

With that play, Martin had just become the first player to collect three Norm Smith medals on the way to the Tigers’ third premiership in four years, a dynasty that he has defined. It’s no longer enough to bracket him simply among the modern greats. Exceptional is the grand final with two all but certain future certified AFL Legends playing. This was one.

The other, of course, was Gary Ablett Jr, the greatest player of his generation, diminished only by age and the agony of a shoulder badly damaged in the opening minutes.… Read more..

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Tom Boyd lived the dream. Now let him live his life

There’s a moment in David Williamson’s play The Club where Geoff Hayward, Collingwood’s prize new recruit, is confronted by his coach, Laurie (played in the 1980 film by Jack Thompson) after a game which he’s mostly spent watching a seagull while stoned out of his gourd. “Marry-a-wanna?” asks Laurie, incredulous.

Hayward is unrepentant. He identifies the absurdity at the heart of what he does. “It’s a load of macho competitive bullshit,” he says. “You chase a lump of pigskin around a muddy ground as if your life depended on it, and when you finally get it, you kick it to buggery and then go chasing it around again! Football shits me.”

“Well, I wish to Christ you’d told us that before we paid out 120 grand for you,” Laurie replies.

I thought of The Club when I heard of the retirement of Tom Boyd, a former No.1 draft pick, his enjoyment sucked from the game after 61 matches, only nine of them with his first club Greater Western Sydney, before the Bulldogs landed him on big money. At that time, like Hayward, he was just a kid with potential. He ended up winning them a fabled premiership.

I see a lot of parallels between Boyd and the fictitious Hayward.

Read more..

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Going public, or private, on mental health in the AFL

Let’s say a player at an AFL club has a mental health issue. He, or now she, may be struggling with depression, or clinical levels of anxiety, or even one of the more complex conditions recognised in the DSM-5 (Diagnostic and Statistical Manual of Mental Disorders).

They go to see the club psychologist, and talk things over with the coach and footy manager. It’s agreed some time out of the game is required, just as effectively as if the player was physically injured.

The club and player concerned then face a difficult decision. Should they go public, as Alex Fasolo, Tom Boyd, Lance Franklin and (going back further) Mitch Clark and Nathan Thompson have all done?

In Franklin’s case, he may hardly have had a choice: his enormous profile meant that any absence from the game leading up to the 2015 finals was always going to be heavily scrutinised and would require a public explanation.

Most of us, in less public lines of work, don’t face that question. If we’re lucky, we may have access to stress or sick leave, and we go home to fight our battles privately, hopefully with the support of family and close friends.

Let’s now say a player wants to take this latter option: to keep his or her struggle under wraps, after making the decision that going public will only exacerbate the stress and pressure they’re already under.

Read more..

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In the Top End, footy’s not a religion. It’s more than that

On a sports oval in Barunga, an Aboriginal community south east of Katherine with a permanent population of a few hundred people, a fierce footy match is unfolding. It’s the grand final of the Barunga Festival football carnival, and the game is being cheered on by hundreds of spectators. A small colony of flying foxes provides additional commentary and special comments while hanging upside down from a fig tree in a corner of the ground.

The carnival has gone for the full three days of the festival, and for the third year in a row the Ngukurr Bulldogs win, defeating the Gurindji Eagles 4.7 (31) to 3.3 (21).

Don’t let the low scores fool you, though. In searing heat, there are just 10 minutes per quarter. The games are played at relentless pace, with little regard for the defensive structures and zones that constrict AFL games. They just play the game, one might say, as it should be played.

Helping coordinate the teams is Paul Amarant, who updates the crowd in between games. Ngukurr’s win is no surprise. It’s a remote community on the banks of the Roper River in southern Arnhem Land. It has 1200 residents and eight individual footy teams, making Melbourne’s old suburban VFL and VFA competitions look cosmopolitan by comparison.… Read more..

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Jimmy Stynes

Jimmy Stynes was an amazing footballer. More impressive than the fact that he won a Brownlow medal in 1991 – Australian Rules’ highest individual honour – was the fact that, in a senior career with the Melbourne Football Club lasting 11 years, from 1987 to 1998, he played 244 of his total 264 games in succession. It’s a benchmark for durability that’s yet to be beaten, and probably won’t be.

It’s also a benchmark for bravery, at times reckless bravery. In 1993, Stynes – a ruckman, the most physically demanding position in the game – had the cartilage of his breastbone severed in an on-field collision with a teammate, leaving his chest looking like a tent. Amazingly, and quite possibly stupidly, he fronted up the next week to play after passing a fitness test in which his coach, Neil Balme, pitted him against a few of the Demons’ hard men, one of whom was Rod Grinter.

Grinter was a known sniper, suspended so often for acts of on-field malice that satirical Melbourne band TISM (This Is Serious Mum) once namechecked him in the following lyric: “I’ve mixed heroin, cocaine and angel dust / I’ve played on Rodney Grinter, and been concussed”.… Read more..

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