Author name: Andrew Stafford

Midnight Oil: 1984

For those old enough to remember it, 1984 was a year full of dread and apocalyptic overtones. It wasn’t just the paranoia of George Orwell’s dystopian novel of the same name: in some ways, the current age of mass corporate/state surveillance and black-is-white propaganda makes 1984 feel closer at hand today than it did at

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Rock in hard places

It’s Good Friday in Brisbane and most of the city is dead quiet, with pubs and clubs not opening until midnight due to Easter trading laws. In the inner suburb of West End, however, something very noisy is stirring. On a makeshift stage in a large room, a three-piece band called Hexmere is playing a

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Derek Smalls: “I wouldn’t call it jazz but I wouldn’t call it non-jazz”

In which I talk to the legendary bass player of one of Britain’s loudest bands, Spinal Tap, on the eve of the release of the now 75-year-old’s long-awaited first solo album, Smalls Change… Derek! It’s good to talk to you. It’s great to be talked to. This is your first solo album under your own name.

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Marlon Williams: Make way for love

The breakup album is a standard trope of rock music. Bob Dylan set the benchmark in 1975 with Blood On The Tracks; Beck’s Sea Change (2002) is a famous more modern example. Now Marlon Williams – the 28-year-old Melbourne-based New Zealander with the golden throat – has offered his own contribution to the form with his second album, Make

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