December 2019

Beck and forth

BECK looks toasted. Under round vintage sunglasses and a broad-brimmed black hat, the cheeks of one of the most inventive, elusive artists of the last quarter-century are sunburnt. Los Angeles is on fire. The resulting chaos has resulted in him running an hour late to the Capitol Records tower, the circular icon that sits off Hollywood Boulevard like a 13-storey stack of records, rammed through a spindle that protrudes a further 27 metres above.

In the early 1970s, the artist born Bek David Campbell spent his first years only a few blocks from here. Downstairs, in the foyer, there’s a coffee-table history of the building, for which he wrote the foreword. “As a kid, whenever we were returning from some far-flung part of the city in the back of a gas guzzler on a hot smoggy day, I can remember the Capitol Records building always signified that we were almost home,” he writes. Now he’s back.

He’s still boyish at 49, sun-kissed blond hair curling out from under his hat, but looks slightly frail after four months straight of travel. His backside doesn’t quite fill out his black ankle-cut trousers. His handshake is gentle. He says it’s a miracle he woke up at all today, because “today was that day where I was like, OK, I could just sleep for a week,” after flying in from New Orleans.… Read more..

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Calls to prosecute landowner for eagle killings

Conservation groups have called for a Victorian landowner to face charges under the Wildlife Act, after he admitted to his part in killing 420 Wedge-tailed Eagles over an 18-month period in the Bairnsdale magistrates court last week.

John Auer pleaded guilty to charges brought by the state Department of Jobs, Precincts and Regions of misusing agricultural chemicals. He was fined $25,000 and received a 12-month good behaviour bond. He was also given a 12-month community corrections order.

Auer and former farmhand Murray Silvester, a New Zealand national, used the insecticide Lannate and other chemicals to poison the eagles at Tubbut in the Snowy Mountains between October 2016 and April 2018.

Silvester was sentenced to two weeks jail, fined $2,500 and deported last year. The penalty was criticised for its leniency at the time, despite the fact that it was the first custodial sentence ever handed down for destroying protected wildlife in Victoria.

Emails and text messages presented in evidence showed that Silvester was acting under the instruction of Auer. The Age reported that magistrate Simon Barnett described his offending as “calculated, unacceptable and disgraceful behaviour”.

Dr Jenny Lau, from Birdlife Australia’s preventing extinctions program, called for the Department of Environment, Land, Water and Planning to charge Auer under the Wildlife Act before the statute of limitations came into effect.… Read more..

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Archie Roach: Tell Me Why

For the Gunditjmara people of south-west Victoria, the Kneeangar – what white Australians call the Wedge-tailed Eagle – is the creator of the landscape. For the Bundjalung of north-east New South Wales, it is the Gunggayay, or red-bellied black snake.

On the spine of Archie Roach’s memoir, Tell Me Why, the Gunggayay encircles the Kneeangar, a logo that encapsulates the Indigenous songwriter’s heritage: his Bundjalung father Archie Senior, and his Gunditjmara mother Nellie Austin.

But Roach, who first came to national attention in 1990 with his celebrated song Took The Children Away and accompanying debut album Charcoal Lane, is also the foster son of Alex and Dulcie Cox: Dad Alex and Mum Dulcie, as he calls them.

The Coxes were told that Archie’s birth parents had died in a house fire. In fact, he had been stolen from them in the late 1950s at Framlingham mission, near Warrnambool. “They were used,” Roach, now 63, says when we meet, as he rests in a Sydney hotel room. “They’re blameless, as far as I’m concerned.”

Alex and Dulcie cherished Archie but, he writes, “there was always a restlessness in me, like a faultline waiting to rupture”. When he was 15, he received a letter from a hitherto unknown sister, Myrtle – one of six siblings – telling him Nellie had died.… Read more..

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Vote 1: Regent Honeyeater

A few months ago, the bird-watching community in south-east Queensland went into a twitching frenzy. Two Regent Honeyeaters, a critically endangered species, had been discovered feeding on ironbark blossoms in the suburban heart of Springfield Lakes, on Brisbane’s south-western outskirts, near the satellite city of Ipswich.

Two Regent Honeyeaters at Springfield Lakes, Queensland, 1 July 2019. The female can be seen in the top right of the image.

The honeyeaters stayed for several weeks, spending the afternoons in a single, heavily flowering tree between a shopping village and childcare centre. When the blossom on that tree and the surrounding ironbarks began to dry up, they began feasting on lerps – tiny, sugary-tasting, sap-sucking insects which clung to the leaves of a small fig tree directly outside a coffee shop.

During that time, dozens of local birders, myself included, watched and photographed the two birds at close quarters. The honeyeaters seemed unperturbed, even as camera drives whirred from a few metres away. They slurped at the blossoms ravenously, and were observed preening each other while resting, indicating they were a closely bonded pair.

For many of the birders, it was the first time they had ever seen the species, and they happily shared their joy with curious passersby.… Read more..

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