December 2017

Birds find me in my happy place

Environment / / 5 minutes of reading

On Saturday morning I boarded a fishing boat on Queensland’s Sunshine Coast and, along with 15 or so others, chugged more than 40 nautical miles out to sea, where the Australian continental shelf drops off into deep water. But we weren’t out there for the fish: everyone was carrying binoculars and camera gear. We were looking for pelagic seabirds – shearwaters and petrels that spend most of their lives on the wing.

Conditions had been perfect all week, with south-easterly breezes to help push the birds closer inshore. “We’ll see a Cook’s Petrel today,” I predicted, feeling cocky. Not that I had good reason to be: only one Cook’s Petrel has ever been officially recorded in Queensland waters. It’s a small, graceful grey and white seabird with a black eye patch that breeds in New Zealand. The boat stopped and a trail of foul-smelling berley was throw into the water.

Twenty minutes later, to everyone’s delight, a Cook’s Petrel came bounding in over the waves, investigating our berley trail without pausing as camera shutters whirred with excitement. Within a minute, the bird was gone. It turned out to be one of the few highlights of an otherwise surprisingly quiet day, but I live for moments like this.… Read more..

A mic drop on the nation

Music / / 5 minutes of reading

Archie Roach is normally the gentlest of our Indigenous protest singers. He writes songs of great moral force and clarity but his voice, even after the ravages of age and illness, is quiet and hymnal, giving his work a bittersweet quality that allows him to connect easily with a broad audience.

The song that introduced him to most Australians, Took The Children Away, remains the one for which he is most famous. Its opening lines are:

“This story’s right, this story’s true
I would not tell lies to you.”

The song was released in 1990, when few of us knew about the stolen generations of Aboriginal children. Its impact was profound, on both Indigenous people, who finally heard their intergenerational trauma being articulated with such grace on a national stage, and on white Australia. By itself, it may not have precipitated the royal commission that produced the Bringing Them Home report, or then prime minister Kevin Rudd’s national apology in February 2008. But its resonance was crucial. Like Yothu Yindi’s Treaty, released the following year, it did what great protest songs do: it started a conversation.

Uncle Archie is an elder now and, on AB Original’s album from last year, Reclaim Australia – which won two Arias on Tuesday night – he brought his considerable gravitas to the album’s opening monologue.… Read more..

Mixed environmental messages in Queensland

Australian Politics, Environment, Qld Politics / / 7 minutes of reading

On Friday, 3 November, Queensland Premier Annastacia Palaszczuk dropped what sounded like a bombshell. Palaszczuk, at the tail of the first week of a desperate re-election campaign, said she would veto a $1 billion loan to Adani from the federal government’s Northern Australia Infrastructure Facility (NAIF) after it emerged that her partner, Shaun Drabsch, had assisted the Indian conglomerate’s application for the loan in his role as a director for PwC.

Palaszczuk said she was acting to remove any perception of conflict of interest over the loan, intended to fund the construction of a rail line from Adani’s proposed Carmichael coal mine to its terminal at Abbot Point, north of Bowen. The response was immediate. The next day’s Courier-Mail went with a screaming headline: “Mine shaft”. Queensland’s only statewide newspaper claimed thousands of jobs were at risk.

It’s a well-worn trope. The newspaper has long followed the Adani line that as many as 10,000 jobs would be created by the mine, despite the group’s expert witness, Jerome Fahrer, admitting in court in 2015 that the number was fewer than 1500. Buried at the bottom of the copy was an admission: under the caretaker convention, Palaszczuk needed the support of opposition leader Tim Nicholls to veto the loan.… Read more..

(I want my) music on TV back

Miscellaneous, Music, Television / / 4 minutes of reading

For two hours on Sunday night, it felt like a good proportion of Australia was gathered around a gigantic campfire. That campfire was burning on the steps of the Sydney Opera House, where Paul Kelly and his band were holding court – not just for the tens of thousands of people lucky enough to be there, but for hundreds of thousands more tuning in around the country, watching the ABC livestream and tweeting simultaneously.

Some say it’s rude to talk at gigs, but for me, watching from home, the excited chatter about what we were seeing added to the communal feel as #PaulKellyLive became the top-trending hashtag in the country. There was a collective awareness that we were witnessing a celebrated songwriter at the top of his game, and at a peak of popularity – at the age of 62, Kelly’s most recent album Life Is Fine was his first No. 1, a richly deserved success for a recording that’s up there with his best work.

Then someone said on Twitter: “We should have live music on the ABC every Sunday night.” Funny he should mention it: only two hours earlier, the ABC had screened its latest instalment of Classic Countdown, a restored best-of the vintage program which has also been a big hit for the national broadcaster.… Read more..

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