It’s tough to be critical of Polly Jean (PJ) Harvey. As an artist, her place in history is secure: hailed as the world’s best songwriter by Rolling Stone upon the release of her first album, Dry, in 1992, Harvey is the sole dual winner of the Mercury Music Prize (first for Stories Of The City, Stories Of The Sea, released in 2000, then for Let England Shake, released in 2011). And she’s not just a critic’s darling – she bears the royal seal of approval, having been awarded an MBE for her services to music in 2013.
So a new release by PJ Harvey is a certifiable event. And the usually reserved singer/songwriter is making sure that the follow-up to Let England Shake will be noticed: she’s recording it behind one-way glass at Somerset House in London, turning the studio into an “mutating, multi-dimensional sound sculpture”.
In effect, PJ Harvey is turning herself into an exhibit, and hopes the audience “will be able to experience the flow and energy of the recording process”. London-based art commissioning organisation Artangel has said in a statement: “The working process of a project has always been as important to us as its public presentation, and here both can be fully explored and revealed at the same time.”… Read more..