Nick Hornby

Ben Folds: “I dreaded that song coming out”

Ben Folds has what appear to be perfect piano-playing hands. They’re large, with long, elegant fingers – until you look closer and inspect the damage. “My left hand’s fucked,” he says, raising a beer with it. He lowers the glass, then vigorously shakes out the hand, from the elbow down. There’s an audible click. “Good to go for the next couple of hours.”

Folds, whose sweet, sometimes earnest, often irreverent songs with his group Ben Folds Five were a staple of late-90s alternative rock radio, has just released a memoir, A Dream About Lightning Bugs. In it, he describes the piano as “living-room furniture” – expensive and heavy, and therefore manifestly unsuitable for rock & roll, which is supposed to be portable.

But, he says, if you look at the handful of notable pianists in rock history – Little Richard, Jerry Lee Lewis, Elton John, John Cale – “they all had to sacrifice their piano to a degree. Stand on it, attack it, sacrifice it, to show that you’re on Team Rock.” Folds’ hands have paid the penalty.

His right hand isn’t much better. In late 1984, a pumped-up jock on a wrestling scholarship beat him to a pulp the night before his exams at the University of Miami.… Read more..

Ben Folds: “I dreaded that song coming out” Read More »

Taylor Swift is single. Bring on the breakup songs

Taylor Swift is single again, and I for one am glad. Not for her heartbreak (as a fellow human, naturally, I’m sorry for her pain), and certainly not because she’s “back on the market” since, needless to say, I’m not in it. No, I’m glad selfishly, because if it produces a song half as good as I Knew You Were Trouble, the world will be a better place, for she will ease the pain of anyone who’s ever been through the same.

Which, let’s face it, is pretty much all of us. Romantic heartbreak is the lingua franca of the pop song. In the opening soliloquy of Nick Hornby’s High Fidelity, Rob (played in Stephen Frears’ film by John Cusack) poses a universal question, as the 13th Floor Elevators’ garage classic You’re Gonna Miss Me blasts through his headphones:

“What came first – the music or the misery? People worry about kids playing with guns, or watching violent videos, that some sort of culture of violence is going to take them over. Nobody worries about kids listening to thousands, literally thousands of songs about heartbreak, rejection, pain, misery and loss. Did I listen to pop music because I was miserable?Read more..

Taylor Swift is single. Bring on the breakup songs Read More »

The Feelies vs Lou Reed

I have two records sitting at the base of my stereo at the moment, both purchased last week. One is the Feelies’ new album Here Before, which I have been giving a severe flogging. The other is a lovely, near-mint original American pressing of Lou Reed’s Berlin, which so far I have been too scared to play.

Here Before is the first Feelies record for close to 20 years, and it’s as though they’ve never been away. There’s no great advance on the last three albums that the band recorded in the late ’80s and early ’90s, all of which are more relaxed, pastoral affairs than the band’s brilliant but twitchy 1980 debut, Crazy Rhythms. (That record opened with a song called The Boy With The Perpetual Nervousness, which was a pretty apt description of the four of them, and the music they made together.)

Looking around for some information about Here Before, I came across this review, and I was struck by the following quote by writer Jordan Cronk, which sums up the record and my feelings towards it perfectly: “Here Before could have come out in 1987 or 2027 and my feelings about it would be more or less the same: this is a good album with a lot of easy-going songs that sound pretty much the same.”… Read more..

The Feelies vs Lou Reed Read More »

Scroll to Top