Archie Roach

You’re the voice. Vote yes

Australian Politics, Music / / 4 minutes of reading

Not many people would find John Farnham’s You’re The Voice a difficult song to understand. Borrowing from the chorus for a moment, it makes a noise and makes it clear: we all have a role to play in civil society. From its opening line, it’s an imperviously optimistic appeal to human nature’s better angels: “We have the chance to turn the pages over”.

Most people, fortunately, are not a desperate politician on the hustings. Responding to Farnham’s endorsement of a constitutionally enshrined Indigenous voice to parliament – and his offering of You’re The Voice to the yes campaign – the opposition leader, Peter Dutton’s take on the song was obtuse, to say the least.

“The key line in the lyrics there, ‘You’re the voice, try and understand it,’” he told Sky News. “I honestly don’t think most Australians understand it and they want to be informed.” Apart from Dutton’s apparent unwillingness to educate himself (much less inform anyone else), attempting to sow further confusion out of such an obvious song is breathtakingly cynical.

The use of You’re The Voice by the yes campaign, and the timing of Farnham’s intervention, is pivotal. The no side has been successful so far in capitalising on uncertainty with its own appeal to ignorance, via its “If you don’t know, vote no” messaging.… Read more..

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Ego: The Michael Gudinski Story

Music / / 4 minutes of reading

At first, all is darkness. There is a hiss of cymbals, followed by a rude bang, thump and wallop. The lights go up. We see the late Australian music mogul Michael Gudinski, sitting at a drum kit, pounding the skins arrhythmically with his hands, making a point at his default setting: maximum volume.

“Well, you can obviously see I can’t play any music,” the Mushroom Records founder bawls in that sandpaper and gravel voice, familiar and weirdly soothing. “And that’s why I’m good at the music business. Because I don’t wanna be a pop or rock star, but HELL, I LIKE WORKING WITH THEM!” He rubs his hands together, ready to deal.

If we believe the galaxy of stars lining up to pay homage in Ego: The Michael Gudinski Story – now in Australian cinemas – Gudinski was bigger than all of them. Australian artists whose careers Gudinski nurtured, including Kylie Minogue, Jimmy Barnes and Paul Kelly, are joined by international heavy-hitters Bruce Springsteen, Ed Sheeran, Billy Joel, Sting and the obligatory Dave Grohl.

They paint a picture of the ultimate music fan, tirelessly enthusiastic, driven by art ahead of commerce. But Gudinski was a ruthless businessman first. Ego tells the story of how, over a boozy lunch in 1975, five men stitched up the Melbourne music business via the formation of booking agency Premier Artists, and later the promotions juggernaut Frontier Touring.… Read more..

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The pioneering legacy of No Fixed Address

Music / / 6 minutes of reading

Picture the scene. It’s 1982 and Australia’s future prime minister Bob Hawke – then the shadow minister for industrial relations – has accepted an invitation to launch a mini-album by an emerging Indigenous rock-reggae band called No Fixed Address. Hawke’s daughters are fans, and he recognises the importance of both the release and the symbolic gesture of a white politician endorsing it. There’s just one sticking point: the final song is called Pigs.

They’re always on the move

They call them the boys in blue

They’ll kick you in the head

Until they leave you dead

It is difficult to imagine even the current prime minister – a self-confessed music tragic – launching such a provocative release today. But Hawke goes ahead with it, saying the album is great – “but that’s not to say that every man and woman in blue is a thorough bastard”. The band’s drummer and leader, Bart Willoughby, turns around. “Yeah, there are good police out there – we just haven’t met any yet,” he shoots back.

The story of this radical group is told in a new book of the same name by Donald Robertson; on the back cover, Goanna’s Shane Howard describes No Fixed Address as “the tip of the spear” that plunged into the dead heart of middle Australia.… Read more..

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Archie Roach 1956-2022

Music / / 5 minutes of reading

Archie Roach, the Indigenous Australian songwriter whose celebrated song Took The Children Away brought national attention to the story of the Stolen Generations, has died aged 66.

Roach died at Warrnambool Base hospital after a long illness, surrounded by his family and loved ones.

“We are heartbroken to announce the passing of Gunditjmara (Kirrae Whurrong/Djab Wurrung), Bundjalung Senior Elder, songman and storyteller Archie Roach,” his sons Amos and Eban Roach announced in a statement on behalf of the Roach family.

“We thank all the staff who have cared for Archie over the past month. Archie wanted all of his many fans to know how much he loves you for supporting him along the way. We are so proud of everything our dad achieved in his remarkable life. He was a healer and unifying force. His music brought people together.”

On Saturday night tributes began pouring in for the songman on social media.

The prime minister, Anthony Albanese, said: “Tonight we mourn the passing of Archie Roach. Our country has lost a brilliant talent, a powerful and prolific national truth teller.

“Archie’s music drew from a well of trauma and pain, but it flowed with a beauty and a resonance that moved us all.… Read more..

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Michael Gudinski 1952-2021

Music / / 4 minutes of reading

For more than 45 years Michael Gudinski, who died on Monday aged 68, was a dominant, domineering, polarising but above all passionate figure in Australia’s cultural landscape. He lived and breathed Australian music.

Everyone who met Gudinski had a story to tell about him, not all of which are printable. What is indisputable is that life in Australia changed in a profound way when Mushroom Records – the label he co-founded in 1972 – released Skyhooks’ first album Living In The 70’s (complete with its errant apostrophe) a couple of years later.

Living In The 70’s topped the charts for four months, selling 240,000 copies. Beyond the sales, the album changed perceptions of what Australian music could be. Many of the lyrics (by bass player and songwriter Greg Macainsh) were hyperlocal to Gudinski’s beloved Melbourne.

In many ways, the album was a reflection of Gudinski himself: brash, hyperactive, coarse (more than half its tracks were banned from airplay), unapologetic and funny. It helped that it was released just as the music television show Countdown first appeared in Australian lounge rooms, with the support of Ian “Molly” Meldrum propelling Skyhooks to stardom.

Over the next decade, Mushroom released dozens of albums that presented their own interrogations of Australian life, from the Models’ Local &/Or General (1981) to the Triffids (Born Sandy Devotional, 1986), Hunters & Collectors (Human Frailty, 1986), the Go-Betweens’ 16 Lovers Lane and the Church’s Starfish (both 1988).… Read more..

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Archie Roach critically ill during ARIA performance

Music / / 4 minutes of reading

Singer and songwriter Archie Roach has revealed that he was critically ill at the time of his induction into the ARIA Hall of Fame on 25 November last year, performing from a venue near the hospital with a medical team in tow and an ambulance waiting outside.

Roach has lived with chronic obstructive pulmonary disease for years, but it escalated in November. He was admitted to Warrnambool Base Hospital, where he spent some days in intensive care.

He was taken from the hospital in an ambulance to accept the award via a broadcast from the Lighthouse theatre in the south-west Victorian coastal town, where he also performed, with his medical team standing by backstage.

Roach sung his most celebrated song, Took The Children Away, sitting down and breathing through a nasal cannula, before being taken back to hospital for several more days.

“It wasn’t looking too good for a while,” Roach said, speaking to the Guardian ahead of rescheduled dates touring what is likely to be his final album, Tell Me Why. “Fluid had gone from my legs to [around] my heart, so I had to go to ICU for a while, while they tried to get me under control.… Read more..

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