The Only Ones

Peter Perrett returns to earth from another planet

Rock journalist Nina Antonia said it best. “If there was only one song in the universe and it was Another Girl, Another Planet, I would still have all I ever wanted,” she wrote. Though not a hit at the time, the song, released in 1978 by London group the Only Ones, is now a celebrated classic: a muted guitar intro swiftly blooming into a headlong rush, set to lyrics that make little effort to conceal singer Peter Perrett’s narcotic love affair.

“You get under my skin, I don’t find it irritating / You always play to win, but I don’t need rehabilitating,” Perrett sang. And for decades, Perrett was a man beyond rehabilitation: in a variation of the famous Charlie Watts story about Keith Richards telling the Rolling Stones drummer he had a problem, former New York Dolls guitarist Johnny Thunders – one of rock’s most notorious junkies – once paid Perrett a visit to lambast him for wasting his talent.

Thunders died in 1991; Perrett, miraculously, is still alive. After three albums with the Only Ones, who recorded some of the most elegantly wasted rock music ever made between 1976 and 1981, he disappeared into an abyss of addictions: first heroin, then crack.… Read more..

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Sunnyboys: The Complete Albert Sessions/New Kicks

The recent re-emergence of the Sunnyboys on stages around the country has been a genuine feel-good story. Between roughly 1980 and 1984, the band – singer and guitarist Jeremy Oxley, his brother Peter on bass, Bil Bilson on drums and second guitarist Richard Burgmann – were a flaming meteor across the Australian music landscape, adored by fans and critics alike. And then, like a meteor, they just fizzled out: the band’s momentum cruelled by changing fashions and Jeremy’s descent into a long battle with schizophrenia.

It’s a story well told in a recent documentary, The Sunnyboy, that has brought new attention to this great Australian band’s legacy. An earlier compilation, This Is Real, and the band’s tentative return to live performance via the Hoodoo Gurus-curated Dig It Up festival has cleared the path for a serious re-evaluation of their small but vital catalogue of recordings, and it starts here, with the classic self-titled debut from 1981 spread over two discs and stacked with more bonus material than any fan could dream of.

The Sunnyboys’ brilliance lay in a combination of sensitivity and toughness that distinguished them from both their predecessors (after raw beginnings in northern New South Wales, they emerged fully-formed from the late ’70s Sydney punk scene left behind by Radio Birdman) and those that followed, such as the Gurus.… Read more..

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The Great Australian Songbook IV (20-11)

Now it starts to get hard! This is where I start to become ultra-conscious of who and what’s getting left out. The songs get harder to put in any kind of order. And I haven’t made it any easier for myself – I found I’d written Nick Cave’s The Mercy Seat down twice in my initial list of 40 (hmm – should that make it higher?), meaning I now have to find an entirely new song that’s magically going to vault straight into my top 20! Choices, choices…

20. BILLY THORPE & THE AZTECS – Most People I Know Think That I’m Crazy (1972)

This wasn’t the song, by the way. I always had this one in here. (I won’t cheapen which one it actually is by revealing it.) But, in short: what a wonderful chord progression this is, and what a great lyric, that anyone who’s ever got shitfaced in a bar with their friends should be able to relate to. Don’t we all, deep down, feel a little crazy as we try to navigate our way through a world we never asked to be born into? To be honest, I struggle to understand the fuss about much of Thorpie’s catalogue, but props to him for this brilliant common touch.… Read more..

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