Sean Dooley - Notes from Pig City

Songs of Disappearance

Environment, Music / June 4, 2023 / 4 minutes of reading

An album consisting entirely of birdsong has debuted towards the top of Australia’s ARIA chart, beating Mariah Carey, Michael Buble and Abba to get to No. 5 one week after its release.

Songs Of Disappearance, a collaboration between multimedia duo Bowerbird Collective and David Stewart, who has been recording the sounds of Australian birds for over four decades, features the calls and songs of 53 threatened species.

With all proceeds donated to BirdLife Australia, it has sold just over 2,000 units, around 1,500 of them in presale (which is, it must be said, a far cry from the kind of numbers trequired to enter the charts before the streaming era).

The project was the result of a conversation between Bowerbird Collective’s Anthony Albrecht, a PhD student at Charles Darwin University, and his supervisor Stephen Garnett, the author of the recently updated Action Plan For Australian Birds, which found that one in six Australian birds are now threatened with extinction.

“He asked whether the Bowerbird Collective could do anything to help promote [the Action Plan], and it was immediately obvious to me what we needed to do,” Albrecht said. “I’m really keen to understand whether environmental art such as this project can have an impact on attitudes and behaviour.”… Read more..

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Birding with Paul Kelly

Music / September 30, 2019 / 5 minutes of reading

Down by the mouth of Laverton Creek, at the Altona Foreshore Reserve in Melbourne’s west, songwriter Paul Kelly is watching about 150 gannets as they mass on Port Phillip Bay. From where we stand, even through binoculars, the gannets are just big white blobs on the water, about 500 metres offshore.

I’m not convinced Paul can even see the blobs through his binoculars, which he refers to as “Kellogg’s brand” – something he got out of a packet. Kelly has taken to watching birds in recent years, but, in the field, frankly, he’s a noob.

With us is Sean Dooley, editor of BirdLife Australia’s quarterly magazine. Sean and I have been watching birds almost all our lives; we met in early 1983. I rib Kelly that he would have been playing in his first band the Dots back then, but Kelly corrects me: he’d already broken the band up. I don’t think he likes being reminded about the Dots.

Lately, Kelly has been touring a stage production, Thirteen Ways To Look At Birds, now an album and his 25th studio recording: a collection of poems set to a neo-classical pop score, co-written and arranged with composer James Ledger, multi-instrumentalist Alice Keath and the Seraphim Trio.… Read more..

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Paul Kelly’s avian epiphany

Environment, Music / June 7, 2019 / 4 minutes of reading

Songwriter Paul Kelly spent most of his life “not noticing birds very much at all”. Then suddenly he opened his eyes and they were everywhere. To some extent, the songwriter’s eyes were opened for him. One influence was his partner of the past four years, Siân Darling.

Another connection was friend Sean Dooley, editor of BirdLife Australia’s quarterly magazine and author of The Big Twitch. Kelly met Dooley kicking a footy around St Kilda with a bunch of other locals. (Dooley remembers Kelly’s prowess: “He’s very skilled – runs low to the ground, deceptively quick, and from memory a raking low, left-foot kick.”)

Then Anna Goldsworthy, from the Seraphim Trio, contacted Kelly suggesting they team up with classical composer James Ledger. Kelly had worked with Ledger on an earlier collaboration, Conversations With Ghosts, and the latest idea was to set poems about animals to music.

Kelly liked the idea and wanted to work with both the Seraphim Trio and Ledger (with the addition of multi-instrumentalist Alice Keath) but thought the subject too broad. Narrowing it down to the avian world, he began poring through hundreds of poems.

The end result is Thirteen Ways To Look At Birds, which adapts works by Emily Dickinson (“Hope” is The Thing With Feathers), Judith Wright (Thornbills; Black Cockatoos), Thomas Hardy, W B Yeats and others for musical performance.

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Twitch and shout

Environment, Miscellaneous / April 25, 2016 / 7 minutes of reading

For a bird-watching exercise, you don’t see a lot of birds on the Twitchathon. If you’ve never heard of this obscure sporting event, it’s a race: teams of birders pile into their cars and tear around the state, attempting to see or hear as many species as possible within an eight or 24-hour period. Because time is of the essence, once a bird’s call is recognised, actually spotting it becomes redundant. It’s on the list: go!

For this year’s Victorian event on 7-8 November, coordinated by Birdlife Australia as a fundraiser for endangered species, I was in one of the handful of 24-hour teams: the Manky Shearwaters. (It’s a pun on a type of seabird, the Manx Shearwater.) Others were in the more civilised eight-hour race: the Lame Ducks; the Filthy Flockers, the Soft Cockatiels. I’m not sure what lends birders towards this kind of self-deprecation.

There’s a hint of madness about the 24-hour version, though, which has necessitated some safety modifications over the years. Once, teams finished at the offices of what used to be Birds Australia, in the Melbourne suburb of Camberwell. With teams driving around the clock and totals docked by one bird for every five minutes after the appointed time, it was a speed and fatigue-fuelled lawsuit waiting to happen.… Read more..

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