Do Re Mi - Notes from Pig City

Deborah Conway: Now she’s 64

Music / January 9, 2024 / 8 minutes of reading

In June 1991, Deborah Conway was driving in her home town of Melbourne and, with the aid of one of those old push-button car stereos, the singer heard her song playing on three radio stations at once. It’s Only The Beginning was everywhere. No one could resist its ringing, descending guitar hook, with its obvious echo of the Cure’s Just Like Heaven.

The song was joyous, something Conway – who had first hit the charts with Do Ré Mi’s feminist anthem Man Overboard – was thrown by. She rewrote the lyrics with a darker undercurrent before settling on the sunny optimism of the original, with its wry acknowledgment that some of the best affairs of our lives are fleeting, if not wildly inappropriate.

And then there was the film clip.

In her new memoir, Book Of Life, Conway reveals that Mushroom Records boss Michael Gudinski didn’t think she had made the best use of her physical assets by dressing in plus-fours and setting the song on a golf course – a playful homage to the classic 1938 Cary Grant and Katharine Hepburn screwball comedy Bringing Up Baby.

Conway wasn’t interviewed for the recent Gudinski documentary, Ego.… Read more..

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Something To Believe In: A Playlist

Music / August 19, 2019 / 8 minutes of reading

I was driving alongside the Brisbane River not far from home, with a Ramones anthology playing at full volume, when it hit me. I was trying to piece myself back together after a difficult couple of years. My mother had been transferred into care with advanced Alzheimer’s disease and my marriage had broken up. Something To Believe In was the song that did it – an almost-forgotten single from the Ramones’ troubled mid-’80s era. It was about losing your grip on yourself, on life, then rediscovering your sense of purpose. I knew I wasn’t going to be the same person but, then again, I didn’t want to be.

It was March 2018. I’d written a few pieces that began to sketch out a story of a life on the margins of music but from the perspective of a fan, a wannabe, rather than a player. Over the next two months, a music memoir poured out: the first 30,000 words in three weeks. It was finished by Mother’s Day. Something To Believe In was the obvious title, music being that something that had kept me sane, kept me going and, at times, kept me alive.

What follows is a playlist of 10 songs – most sublime, at least one ridiculous – that signposted that journey.… Read more..

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The Great Australian Songbook II (40-31)

Music / December 10, 2011 / 6 minutes of reading

As promised from yesterday. I’ve tried to cover as many bases as possible in terms of decade and genre, avoiding multiple selections for the same artist.

Without further ado, here’s the list from 40 to 31.

40. COSMIC PSYCHOS – Lost Cause (1988)

It was Spinal Tap who pointed out the fine line between clever and stupid. In Australia, you won’t find three smarter beer-swilling yobs than The Cosmic Psychos. This isn’t a song about punching above your weight – it’s about being out of your weight division entirely. “Dr” Ross Knight, the band’s bass player, is a farmer from outside Bendigo who’s been known to cancel tours when his tractor breaks down. At the time he wrote this song, he was working part-time in the medical records department of a local hospital, where he fell under the spell of an attractive young lady who’s “only 19, not a has-been!” “I was about 25, 26 at that point, a bogan fucking pisshead,” Knight recalls. “I said to a mate of mine, ‘I wouldn’t mind taking her out,’ and he goes, ‘Nah – have a look at you! She’s a lost cause, mate!” The song was later covered by L7 and The Prodigy.… Read more..

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