January 2012

The hitch-hiker: Andrew McMillan, 1957-2012

Media, Miscellaneous, Music / / 5 minutes of reading

I first met Andrew McMillan in July of 1999. The place was Gove Airport, which services the north-east Arnhem Land mining town of Nhulunbuy. Andrew was acting as a media liaison officer for the inaugural Garma Festival, an annual cultural exchange program between the local Yolngu people and Balanda (whites) established by the Yothu Yindi Foundation. I was working on a story for the Australian edition of Rolling Stone. I spent nearly a week in Andrew’s company and only caught up with him on one other occasion, but he certainly left a mark on me.

I was already familiar with his work. When I was a teenager, growing up in the outer eastern suburbs of Melbourne before my family relocated to Brisbane, Midnight Oil was the band that changed my life. They were a rock & roll awakening, and a political one, too. McMillan’s book, Strict Rules, was a document of the Oils’ tour through the Aboriginal communities of the Northern Territory and Western Australia, an experience that led to the ground-breaking Diesel And Dust album in 1987.

Before that, Andrew had begun his writing career in Brisbane in the late ’70s. He’d been turned on by punk and had started Australia’s first fanzine (the horribly named Suicide Alley, quickly re-christened Pulp) with Clinton Walker.… Read more..

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Pokies: rent-seekers win again

Australian Politics / / 5 minutes of reading

The gnashing of teeth over Julia Gillard’s betrayal of Andrew Wilkie over pokies reform has been entirely predictable. Is this some kind of political masterstroke? Is it just another demonstration of Gillard’s fundamental untrustworthiness? It’s all as telegraphed as an old boxer’s jab, and irrevocably lashed to the 24-hour news cycle. About the furthest anyone’s looking into this situation is the polls, and what it does to Gillard’s chances of re-election.

The far more important point about what Gillard’s backdown says about Australia’s rotten political culture has been almost entirely overlooked. And that is that the rent-seekers have won again.

They won in 2010, when some of the world’s largest and richest mining companies saw off the Resources Super Profits Tax with a $22 million advertising campaign that, in the end, helped kill off a popularly elected Prime Minister (not that Kevin 07, perhaps soon be be known as Kevin 12, was exactly blameless in his demise, but that’s another story).

That occasion saw the likes of Gina Rinehart, Twiggy Forrest and Clive Palmer marching in the streets and carrying on like they’d all be rooned, I tells ya. The sight of Australia’s richest men and women playing the victim card – Rinehart (wealthiest of the lot) leading the chant of “Axe the tax!”… Read more..

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PJ-gate: citizen journalism at the ABC

Media, Music / / 4 minutes of reading

In his book Blogs, Wikipedia, Second Life And Beyond, academic Axel Bruns talks about the concept of folksonomics, wherein traditional hierarchies of knowledge have been flattened by the empowerment of the online community. The rise of social media (including blogs such as this one) and the drive towards interactive news environments, in particular, has meant that journalists have lost their once-coveted status as both the gatekeepers and disseminators of information.

This is not entirely a bad thing, but the drowning out of expertise in favour of the hum of audience chatter has its limitations. As the ABC has just discovered, after sending a citizen journalist (actually, a staff audio engineer) to write a live review of one of the most revered songwriters of her generation. PJ Harvey is not a woman to be trifled with, and nor are her fans. In the interests of full disclosure, I’m happy to add that I am one.

Ian Church’s piece for the website of Perth’s local ABC radio 720 is now flagged (after a couple of hasty edits), as an “audience review”. He paid his own way to get in, so at least we as ABC consumers didn’t pay to be edified by the following bon mots:

“I, like many of other males have been introduced to PJ Harvey by my partner.… Read more..

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Not pretty enough: an extinction under our nose

Environment / / 7 minutes of reading

“Why do you see, why do you see, why do you see right through me?” – Kasey Chambers

Recently, my partner and I took a walk up in the forests of Mt Mee, at the northern end of the D’Aguilar Range about an hour’s drive from Brisbane. We had a specific purpose: we were searching for the rare, threatened and exceptionally beautiful Richmond Birdwing. To our delight, we found a male quickly, not far from the car park of the Mill Rainforest Walk. I’d wanted to see one of these creatures for years, and it was truly an eye-popping pleasure (photo courtesy Tom Tarrant).

RBW

The birdwing is a very large butterfly, one of three in the genus Ornithoptera in Australia. The males of all three species found in this country (the other two are the Cairns and New Guinea Birdwings) are similar: the upperwings are a striking contrast of deep velvet black and emerald green; the abdomen is bright yellow, while the underwings are adorned with an intricate latticework of yellow, black and turquoise. They are the southernmost representatives of their type, originally occurring from around Maryborough in south-east Queensland down to the Clarence River in northern New South Wales. Apparently they were abundant in Brisbane in the late 19th and early 20th centuries.… Read more..

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